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20
THE CLERK OF THE WOODS

and how a man used it? Pictures of it will look odd enough, we may be sure, after the thing itself is forgotten.

While I am watching the mower (now he pauses a moment, and with the blade of his scythe tosses a troublesome tangle of grass out of his way, with exactly the motion that I have seen other mowers use a thousand times; but I look in vain for him to put the end of the snathe to the ground, pick up a handful of grass, and wipe down the blade)—while I am watching him a bluebird breaks into song, and a kingbird flutters away from his perch on a fence-wire. After all, the glory of a bird is his wings; and the kingbird knows it. In another field men are spreading hay—with pitchforks, I mean; and that, too, is poetry. In truth, by the old processes, hay could not be made except with graceful motions, unless it were by a novice, some man from the city or out of a shop. A green hand with a rake, it must be confessed, is a subject for laughter rather than for rhymes. The secret of graceful raking is like the secret of graceful writing,—a light touch.