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UNDER FIRE
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wearies the mind." They pass through a hell of suffering and forget all about it. "We've seen too much, and everything we saw was too much. We are not built to take all that in. It escapes from us in every direction; we are too small. We are forgetting-machines. Men are beings which think little; above all, they forget." In Napoleon's day every soldier had a marshal's baton in his knapsack, and every soldier had in his brain the ambitious image of the little Corsican officer. There are no longer any individuals now, there is a human mass which is itself lost amid elemental forces. "More than six thousand miles of French trenches, more than six thousand miles of such miseries or of worse; and the French front is only one-eighth of the whole." Instinctively the narrator is compelled to borrow his images from the rough mythology of primitive peoples, or from cosmic convulsions. He speaks of "rivers of wounded torn from the bowels of the earth which bleeds and rots unendingly"—"glaciers of corpses"—"gloomy immensities of Styx"—"Valley of Jehoshaphat"—prehistoric spectacles. What does the individual man amount to in all this? What does his suffering mean? "What's the use of complaining?" says one wounded man to another. "That's what war is, not the battles, but the terrible unnatural weariness; water up to the middle, mud, filth, infinite monotony of wretchedness, interrupted by acute tragedies."—At intervals, human groans, profound shudders, issue from the silence and the night.

Here and there, in the course of this long narration, peaks emerge from the grey and bloody uniformity: the attack ("under fire"); "the field hospital"; "the dawn." I wish I had space to quote the admirable picture of the men awaiting the order to attack; they are motionless; an assumed calm masks such dreams, such fears, such farewell thoughts! Without any illusions, without enthusiasm, without excitement, "despite the busy propaganda of the authorities, without intoxication either material or moral," fully aware of what they are doing, they await the signal to hurl themselves "once more into this madman's role