men and women of all ages, and they gave the impression of a population probably approaching a hundred thousand. Hence the "twenty thousand households" (veintemil casas) of Cortés. The word casa applied to an Indian settlement would not signify a single house, but a household.
Any one who has witnessed a dance of the sedentary Indians, with the throngs of spectators on the flat roofs, may form a conception of the diversified scene which this entrance of the Spaniards into Cholula afforded. I have seen in these dances women in their ancient dress, with the hair done up in the style of a turban, the short uipil, or sleeveless waistcoat, made of cotton cloth and embroidered with red, black, and white figures, through which the head and neck projected, and beneath it a long skirt, girt around the body; the men, excepting the officers, bareheaded, in white robes, and also in embroidered jackets; on the heads of the principal officers, the half-mitre, adorned with colored feathers, colored stones, and shells; the priests in black; all the faces painted in festive style, that is, hideously striped, those of the common people with cochineal on the cheeks and forehead, and those of the higher chiefs with green, blue, and yellow, and the faces of the priests black, with white rings round the eyes and mouth. Added to these features were the noise of large and small drums, the squeaking of pipes, the roaring, thumping sound of the "Tozacatl," and the clattering of many rattles. The Spaniards marched slowly along in the midst of this uproar, while the horses walked under their armored riders, not proudly and defiantly, but gently and rarely shying; for
