Rome—mere Rome—will crowd everything else out of my heart."
"Heaven forbid!" ejaculated the sculptor.
They had now reached the grand stairs that ascend from the Piazza di Spagna to the hither brow of the Pincian Hill. Old Beppo, the millionaire of his ragged fraternity—it is a wonder that no artist paints him as the cripple whom St. Peter heals at the Beautiful Gate of the Temple—was just mounting his donkey to depart, laden with the rich spoil of the day's beggary.
Up the stairs, drawing his tattered cloak about his face, came the model, at whom Beppo looked askance, jealous of an encroacher on his rightful domain. The figure passed away, however, up the Via Sistina. In the piazza below, near the foot of the magnificent steps, stood Miriam, with her eyes bent on the ground, as if she were counting those little, square, uncomfortable paving stones, that make it a penitential pilgrimage to walk in Rome. She kept this attitude for several minutes, and when, at last, the importunities of a beggar disturbed her from it, she seemed bewildered and pressed her hand upon her brow.
"She has been in some sad dream or other, poor thing!" said Kenyon, sympathizingly; "and even now, she is imprisoned there in a kind of cage, the iron bars of which are made of her own thoughts."
"I fear she is not well," said Hilda. "I am going down the stairs, and will join Miriam."
"Farewell, then," said the sculptor. "Dear Hilda, this is a perplexed and troubled world! It soothes me
