so to speak; traits, expressions, loftinesses, and amenities, which would have been invisible, had they not been painted from within. Yet their reality and truth are none the less. Miriam, in like manner, had doubtless conveyed some of the intimate results of her heart knowledge into her own portrait, and perhaps wished to try whether they would be perceptible to so simple and natural an observer as Donatello.
"Does the expression please you?" she asked.
"Yes," said Donatello hesitatingly; "if it would only smile so like the sunshine as you sometimes do. No, it is sadder than I thought at first. Cannot you make yourself smile a little, signorina?"
"A forced smile is uglier than a frown," said Miriam, a bright, natural smile breaking out over her face even as she spoke.
"Oh, catch it now!" cried Donatello, clapping his hands. "Let it shine upon the picture! There! it has vanished already! And you are sad again, very sad; and the picture gazes sadly forth at me, as if some evil had befallen it in the little time since I looked last."
"How perplexed you seem, my friend!" answered Miriam. "I really half believe you are a Faun, there is such a mystery and terror for you in these dark moods, which are just as natural as daylight to us people of ordinary mould. I advise you, at all events, to look at other faces with those innocent and happy eyes, and never more to gaze at mine!"
"You speak in vain," replied the young man, with a deeper emphasis than she had ever before heard in his
