Page:The part taken by women in American history.djvu/804

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Women in Professions
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golden gateway for Ashridge Hall, England, ordered by Earl Brownlow. She did the statue of the beautiful Queen of Naples, for which she received royal praise and approval. Harriet Hosmer has placed the name of American women high among the sculptors of modern times. Her death in 1908 was a loss to the artistic world.

ELIZABETH NEY.

One of the famous artists of this country, and a worthy follower of Harriet Hosmer, enjoys deserved fame as a sculptor. She studied under Bauch and opened a studio after his death in Berlin, where her works received the warmest praise and admiration. Some of her more conspicuous works are the statues of Mitscherlich, Jakob Grimm, and other celebrities. She was summoned to the Royal Court of Hanover, where she did "The Blind King," "Joachim the Violinist of Arcady," "Stockhausen the Singer," and the gloomy features of the great philosopher Schopenhauer, and later a statue of Garibaldi. While in Munich, she did much of the ornamentation of the interior of some of the public buildings. She executed busts of Liebig and Wohler, which now adorn the Polytechnic School of Munich. She did also what was considered by Emperor William a remarkable bust of Bismarck. This was accepted in the Paris Exposition of 1868, and Mrs. Ney's name is justly placed among American sculptors.

GERTRUDE WHITNEY.

This distinguished young sculptress is the daughter of the late Cornelius Vanderbilt, and the wife of Harry Payne Whitney, of New York. She studied abroad, and has executed a number of marbles and bronzes for public places, notably, the fountain for the Pan-American Building, Washington, D. C.

FLORENCE FREEMAN.

Born in Boston in 1836; she received her earliest instruction in sculpture from Richard S. Greenough. In 1861 she went to Italy with Miss Charlotte Cushman, remaining a year in Florence under the instruction of Hiram Powers. In 1862 she removed her studio to Rome where she spent the rest of her professional life. Among her most important works are a bust ot "Sandalphon," bas-reliefs of Dante and the sculptured chimney piece representing "Children and the Yule Log, and Fireside Spirits," which was exhibited at the Centennial Exhibition in Philadelphia, 1876 and received honorable mention.

ENID YANDELL.

Born in Louisville, Kentucky, October 6, 1870 ; is the daughter of Lunsford P. and Louise Elliston Yandell ; educated at Hampton College ; received degree of B.A. in Louisville, Ky.; exhibited at the Paris Salon since 1895, and has appeared in all of the current exhibitions of the United States; received Designer's Medal at the Chicago World's Fair, where she did a great deal of work for the