green trunks. On one side of the room is a grandfather's clock, on the other is a little wooden chapel with ikons and votive candles. From the clock to the chapel runs a long linoleum-covered bar, and on the ikon side of it are scores of fresh loaves, while on the clock side are vodka and wine. On the top of the clock burns a paraffin lamp. There is praying and disputing and tea-drinking, children crying, bundles, boxes, pointsmen with dim lanterns, a mouldy-looking gendarme, and it is five o'clock in the morning.
Out of the lingering train they brought Tolstoy into just such a room and to such a scene. "They brought him through here," says the heavy bearded man behind the bar, "and they put him first in the woman's room and then took him to a room in the stationmaster's house."
The man behind the bar has trained his whiskers to look like those of Tolstoy, and is vain enough to ask me: "Did you not take me for Tolstoy's double? Some are frightened when they see me and think I am Tolstoy's ghost. Am I not like him?"
"Did you look as like him then? What did Tolstoy's friends think of your appearance?"
"They laughed."
"Did you have many people here?"
"Not many strangers, fifteen of the family, twenty correspondents, a general from Petrograd, two doctors. . . . I put them all up and fed them."
