Page:The works of Horace - Christopher Smart.djvu/111

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ODE XXX.
ODES OF HORACE.
93

virtue, and court honest poverty without a portion. It is no business of mine, if the mast groan with the African storms, to have recourse to piteous prayers,[1] and to make a bargain with my vows, that my Cyprian and Syrian merchandize may not add to the wealth of the insatiable sea. Then the gale and the twin Pollux will carry me safe in the protection of a skiff with two oars, through the tumultuous Ægean Sea.”


ODE XXX.

ON HIS OWN WORKS.

I have completed a monument more lasting than brass, and more sublime than the regal elevation of pyramids, which neither the wasting shower, the unavailing north wind, nor an innumerable succession of years, and the flight of seasons, shall be able to demolish. I shall not wholly die; but a great part of me shall escape Libitina.[2] I shall continualy be renewed in the praises of posterity, as long as the priest shall ascend the Capitol with the silent [vestal] virgin. Where the rapid Aufidus shall murmur, and where Daunus,[3] poorly supplied with water, ruled over a rustic people, I, exalted from a low degree, shall be acknowledged as having originally adapted the Æolic verse[4] to Italian measures. Melpomene, assume that pride which your merits have acquired, and willingly crown my hair with the Delphic laurel.

  1. These conditional prayers, which virtue blushes for, and which the gods disregard, are by Plato called Τέχνας ἐμπορικάς, a merchant's traffic; and by Persius, preces emaces, prayers of purchase. Francis.
  2. This was the goddess who presided over funerals. She is called Venus inferna or Epitymbia, in some ancient epitaphs, and reckoned among the infernal deities. A place in Rome, as the ancient Scholiast informs us, was called Libitina, where the undertaker lived, who received a certain piece of money for every person who was buried, from whence they knew the number of their dead. Francis.
  3. This Daunus was the son of Pilumnus and Danaë. He reigned over Daunia, and gave his name to the country. Watson.
  4. In this poem, which ought to be the last of his lyric works, the poet shows that he has preserved his resolution of imitating Alcæus and Sappho, which he mentioned in his first ode. Nor is it probable, that he could have so frequently boasted of being the first who formed himself upon an imitation of the Grecian poets, if the public had not in general acknowledged his claim. San.