Roman tragedians. We have titles and fragments of nine tragedies by Livius Andronicus, seven by Naevius, twenty two by Ennius, thirteen by Pacuvius, forty six by Accius, and many unassignable fragments from each of these which indicate numerous other plays of the same character. To these should be added scattering additions from nearly a score more of Roman writers during the next two hundred years after Accius. All the above-mentioned plays are on Greek subjects; and most of those whose fragments are sufficiently extensive to allow us to form an opinion of their character are either translations or close imitations of the Greeks, or are so influenced by these as to be decidedly Greek rather than Roman in character.
And what of the genuine Roman dramatic product? Speaking for the fabula praetexta, or Roman historical drama, alone, the entire output, so far as our records go, is contained in the following list of authors and titles. From Naevius (265-204 b.c.) we have the Clastidium, written in celebration of the victory of Marcellus over Vidumarus, king of the Transpadane Gauls, whom Marcellus slew and stripped of his armor, thus gaining the rare spolia opima; this at Clastidium in 222 b.c. The play was probably written for the especial occasion either of the triumph of Marcellus or of the celebration of his funeral.
We have also from Naevius a play variously entitled Lupus or Romulus or Alimomum Remi et Romuli, evidently one of those dramatic reproductions of scenes in the life of a god, enacted as a part of the ceremonies of his worship. These are comparable to similar dramatic representations among the Greeks in the worship of Dionysus.
The Ambracia and the Sabinae of Ennius (239-169 b.c.) are ordinarily classed as fabulae praetextae, although Lucian Miiller classes the fragments of the Ambracia among the Saturae of Ennius; while Vahlen puts the Ambracia under the heading Comoediarum et celerorum carminum reliquiae, and classifies the fragments of the Sabinae under ex incertis saturarum libris. The Ambracia is evidently called after the city of that name in Epirus, celebrated for the long and remarkable siege which it sustained against the Romans under M. Fulvius Nobilior. That general finally captured the city in 189 b.c. If the piece is to be considered as a play, it was, like the Clastidium, written in honor of a Roman general, and acted on the occasion either of his triumph or of his funeral.
We have four short fragments from the Paulus of Pacuvius (220-130 b.c.), written in celebration of the exploits of L. Aemilius Paulus who conquered Perseus, king of Macedonia, in the battle of Pydna, 168 b.c.
