Page:Vol 1 History of Mexico by H H Bancroft.djvu/417

This page has been proofread, but needs to be validated.
AN ALADDIN'S CAVE.
297

der to Montezuma that so great and wise a prince should worship abominable demons like these. "Let me but plant a cross on this summit," he said, "and within the chapel place an image of the virgin, and you shall behold the fear of the idols." The eyes of the priests were at this aflame with anger, and the emperor could hardly suppress his indignation as he replied, "Malinche, had I suspected that such insults were to be offered, I would not have shown you my gods. They are good; they give us health, sustenance, victory, and whatever we require. We adore them, and to them make our sacrifices. I entreat you say not another word against them." Observing the effect his remarks had produced, Cortés thought it best to restrain himself, and to express regrets at his hastiness. Then with a forced smile he said that it was time to depart. Montezuma bade them farewell. As for himself, he must remain to appease the idols for the insult offered.[1]

Not at all abashed by his rebuff at the temple, Cortés asked Montezuma to let him erect a church in his own quarters. Glad probably at finding the Spanish pretensions in this respect so modified, he not only assented, but gave artisans to aid in the work. This was concluded within three days, and services henceforth held therein, at which the Indians were always welcomed. A cross was also erected before the entrance, so that the natives might be impressed by the devotion of their visitors.

This effort in behalf of the faith was not to go unrequited. While looking for the best site for the altar, says Bernal Diaz, Yañez, the carpenter, discovered signs of a door-way recently closed and plastered over. Cortés was told of this, and ever on the guard against plots, he ordered the wall to be opened. Aladdin on entering the cave could not have been more surprised

  1. Bernal Diaz, Hist. Verdad., 70–1. Sigüenza y Góngora, the well-known Mexican scholar of the seventeenth century, follows Bernal Diaz. Anotaciones Crit., MS., 1-2.