BERNAL DIAZ AND CLAVIGERO.
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tive views. While thus occupied he came upon the history by Gomara, and perceiving "his great rhetoric, and my work so crude, I stopped writing, and even felt ashamed to let it appear among notable persons." But finding that the biographer of Cortés had committed many blunders, and had colored the narrative on behalf of his patron, he again seized the pen, with the double purpose of correcting such errors and of vindicating his slighted comrades. Faithfully he carried out his plan, recording name after name of brave fellows who shed lustre on the flag, who freely risked their lives in gallant encounters, or who gave their last breath for church and king. While dwelling lovingly on humble companions, whose cause he espoused, he detracts little from the leaders and cavaliers. He describes their appearance and traits with a graphic fidelity that seems to bring them before us in person; he freely accords them every credit, and if he spares not their vices they are seldom brought forward in a captious or ill-natured spirit. On the contrary, he frequently covers disagreeable facts in deference to the dead. This general fairness of dealing is particularly noticeable in regard to Cortés, whom nevertheless he sometimes severely criticises; and while Diaz assumes for his side the credit of many a suggestion and deed, yet he is ever the loyal soldier, and frequently takes up the cudgel in behalf of the honored leader when others seek to assail him. He admires the great captain hardly less than himself. Indeed, to say that the old campaigner was vain is stating it mildly. Two licentiates who read the manuscript pointed this out to him, but he replied, "Whom does it harm? No one praises an old, broken-down soldier, so I must even praise myself. It is a duty I owe not only to my fair name but to my descendants." He revives in his narrative and carries us back with him to those stirring days, depicting now the hardships of the march, now the new countries and races that appear; then he enters into the heat of battle with a fidelity that brings the din and turmoil vividly before us; and anon we see the adventurers in camp, in their social relations, relieved by pleasing episodes. He enters thoroughly into their hopes and feelings, deeds and life; he grows eloquent and pathetic by turns, and reveals also the undercurrent of piety and zeal which pervaded the rakish crew. Here is the gossipy frankness of Herodotus, illumined by many a quaint observation and many a blunt sally. Bernal Diaz had but the rudiments of education, which nevertheless was above the average among his fellow-soldiers; but he had evidently read a little in later years, to judge by his allusions to classic history, though not enough to acquire more than a mediocre proficiency in grammar. There is a minuteness of detail at times wearisome, and garrulous digression and repetition; but a simple perspicuity pervades the whole narrative, which makes it easy to follow, while the frankness and frequent animation are pleasing. Much of it appears to have been dictated, perhaps to some one of his children, "cuyo manuscrito se conserva en el archivo de esta municipalidad." Jil, in Gaceta Nic., June 24, 1865. It was given for perusal to different persons, and several copies made; but none cared to assume its publication. Sixty years later, however, Friar Alonso Remon, chronicler of the Merced order in Spain, found one set in the library of Ramirez del Prado, of the Council of the Indies, and perceiving the importance of the narrative, he caused it to be printed at Madrid in 1632 under the title of Historia Verdadera de la Conquista de la Nueva-España.
