CHAPTER VII
THE AMERICAN FOLK SONG
| | How black folk sang their sorrow songs in the land of their bondage and made this music the only American folk music. | |
“Little of beauty has America given the world save the rude grandeur God himself stamped on her bosom; the human spirit in this new world has expressed itself in vigor and ingenuity rather than in beauty. And so by fateful chance the Negro folk-song—the rhythmic cry of the slave—stands today not simply as the sole American music, but as the most beautiful expression of human experience born this side the seas. It has been neglected, it has been persistently mistaken and misunderstood; but notwithstanding, it still remains as the singular spiritual heritage of the nation and the greatest gift of the Negro people.”[1]
Around the Negro folk-song there has arisen much of controversy and of misunderstanding. For a long time they were utterly neglected; then every once in a while and here and there they
- ↑ Du Bois, Souls of Black Folk, Chapter No. 14.
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