life, much what the East might seem to other men: and by way of making this type actual and prominent enough, Blake seizes upon all possible divisions of the modern visible England in town or country, and turns them in his loose symbolic way into minor powers and serving spirits. That he was wholly unconscious of the intolerably laughable effect we need not believe. He had all the delight in laying snares and giving offence, which is proper to his kind. He had all the confidence in his own power and right to do such things and to get over the doing of them which accompanies in such men the subtle humour of scandalizing. And unfortunately he had not by training, perhaps not by nature, the conscience which would have reminded him that whether or not an artist may allowably play with all other things in heaven and earth, one thing he must certainly not play with; the material forms of art: that levity and violence are here prohibited under grave penalties. Allowing however for this, we may notice that in the wildest passages of these books Blake merely carries into strange places or throws into strange shapes such final theories as in the dialect of calmer and smaller men have been accounted not unreasonable.
Further preface or help, however loudly the subject might seem to call for it, we have not in this place to give; and indeed more words would possibly not bring with them more light. What was explicable we have endeavoured to explain; to suggest where a hint was profitable; to prepare where preparation was feasible: but many voices might be heard crying in this wilderness before the paths were made straight. The pursuivant
