Portrait of a Man with Red Hair

Portrait of a Man with Red Hair (1925)
by Hugh Walpole
3815365Portrait of a Man with Red Hair1925Hugh Walpole

Portrait of a Man
With Red Hair


HUGH WALPOLE

Books by HUGH WALPOLE


NOVELS

The London Novels

Scenes from Provincial Life

Phantasies

BOOKS ABOUT CHILDREN

BELLES-LETTRES

Portrait of a Man
With Red Hair

A ROMANTIC MACABRE


By
HUGH WALPOLE

NEW YORK
GEORGE H. DORAN COMPANY

COPYRIGHT, 1925,
BY GEORGE H. DORAN COMPANY

COPYRIGHT, 1925, BY INTERNATIONAL MAGAZINE
COMPANY, INC. (HARPER'S BAZAAR)

PORTRAIT OF A MAN WITH RED HAIR

— A —

PRINTED IN THE UNITED STATES OP AMERICA

TO MY FRIENDS

ETHEL AND ARTHUR FOWLER

DEDICATORY LETTER.

Brackenburn,
April 1925.

Dear Ethel and Arthur

It is appropriate, in a way, that I should give you this book when so much of it was written under your roof. It is a romance, and this has not been, during the last twenty years, a favourable time for romances. But I like to give it to you because you know how it was written, in a. very happy summer after a long and arduous lecture tour during which, more than ever before, I learned to love your country.

I wrote it as a rest and a refreshment, and I will tell you frankly that I have enjoyed writing it very much. But I do not know whether, in these stern days, stories are intended to be enjoyed either by the writer of them or the reader.

I have noticed sometimes that people speak rather scornfully of a story as "readable." But if it be not first of all "readable" what afterwards can it be? Surely dead before it is born.

I hope then, and I believe, that this tale is "readable" at least. I know no more than that what it is—fancy, story allegory, what you will. I might invoke the great names of Hoffmann and Hawthorne for its Godfathers, I might recall a story much beloved by me, Sintram and His Companions^ did I not, most justly, fear the comparison I

But the word allegory is, in these days, a dangerous one, and some one will soon be showing me that we have, each one of us, his Sea-Fog, his White Tower, and that it is the fault of his own weakness if he does not fling out of the window his Red-Haired man.

No, no, God forbid. This is a tale and nothing but a tale, and all I ask is that once beginning it you will find it hard to lay down unfinished—

and that you will think of me always as

Your affectionate friend

Hugh.

... Within these few restrictions, I think, every writer may be permitted to deal as much in the wonderful as he pleases; nay, if he then keeps within the rules of credibility, the more he can surprise the reader the more he will engage his attention, and the more he will charm him.

As a genius of the highest rank observes in his fifth chapter of the Bathos, "The great art of all poetry is to mix truth with fiction, in order to join the credible with the surprising."

For though every good author will confine himself within the bounds of probability, it is by no means necessary that his characters or his incidents should be trite, common, or vulgar; such as happen in every street, or in every house, or which may be met with in the home articles of a newspaper. Nor must he be inhibited from showing many persons and things which may possibly never have fallen within the knowledge of great part of his readers.

CONTENTS
PART I PAGE
The Sea Like Bronze 15
PART II
The Dance Round the Town 89
PART III
Sea-fog 177
PART IV
The Tower 255

This work is in the public domain in the United States because it was published in 1925, before the cutoff of January 1, 1929.


The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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