The Deficit Demon (1887)
by Banjo Paterson
221544The Deficit Demon1887Banjo Paterson

It was the lunatic poet escaped from the local asylum,
Loudly he twanged on his banjo and sang with his voice like a saw-mill,
While as with fervour he sang there was borne o'er the shuddering wildwood,
Borne on the breath of the poet a flavour of rum and of onions.

He sang of the Deficit Demon that dwelt in the Treasury Mountains,
How it was small in its youth and a champion was sent to destroy it:
Dibbs he was called, and he boasted, "Soon I will wipe out the Monster,"
But while he was boasting and bragging the monster grew larger and larger.

One day as Dibbs bragged of his prowess in daylight the Deficit met him,
Settled his hash in one act and made him to all man a byword,
Sent him, a raving ex-Premier, to dwell in the shades of oblivion,
And the people put forward a champion known as Sir Patrick the Portly.

As in the midnight the tom-cat who seeketh his love on the house top,
Lifteth his voice up and is struck by the fast whizzing brickbat,
Drops to the ground in a swoon and glides to the silent hereafter,
So fell Sir Patrick the Portly at the stroke of the Deficit Demon.

Then were the people amazed and they called for the champion of champions
Known as Sir 'Enry the Fishfag unequalled in vilification.
He is the man, said the people, to wipe out the Deficit Monster,
If nothing else fetches him through he can at the least talk its head off.

So he sharpened his lance of Freetrade and he practised in loud-mouthing abusing,
"Poodlehead," "Craven," and "Mole-eyes" were things that he purposed to call it,
He went to the fight full of valour and all men are waiting the issue,
Though they know not his armour nor weapons excepting his power of abusing.

Loud sang the lunatic his song of the champions of valour
Until he was sighted and captured by fleet-footed keepers pursuing,
To whom he remarked with a smile as they ran him off back to the madhouse,
"If you want to back Parkes I'm your man -- here's a cool three to one on the Deficit."

This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:

  • published non-government works whose author died before January 1, 1955,
  • anonymous or pseudonymous works and photographs published before January 1, 1955, and
  • government works published more than 50 years ago (before January 1, 1974).

This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.

Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.


This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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