The Prose Works of Percy Bysshe Shelley/St. Irvyne; or, the Rosicrucian/Conclusion
CONCLUSION.
It was night—all was still; not a breeze dared to move, not a sound to break the stillness of horror. Wolfstein has arrived at the village near which St. Irvyne stood; he has sped him to the château, and has entered the edifice; the garden door was open, and he entered the vaults.
For a time, the novelty of his situation, and the painful recurrence of past events, which, independently of his own energies, would gleam upon his soul, rendered him too much confused to investigate minutely the recesses of the cavern. Arousing himself, at last, however, from this momentary suspension of faculty, he paced the vaults in eager desire for the arrival of midnight. How inexpressible was his horror when he fell on a body which appeared motionless and without life! He raised it in his arms, and, taking it to the light, beheld, pallid in death, the features of Megalena. The laugh of anguish which had convulsed her expiring frame, still played around her mouth, as a smile of horror and despair; her hair was loose and wild, seemingly gathered in knots by the convulsive grasp of dissolution. She moved not; his soul was nerved by almost superhuman powers; yet the ice of despair chilled his burning brain. Curiosity, resistless curiosity, even in a moment such as this, reigned in his bosom. The body of Megalena was breathless, and yet no visible cause could be assigned for her death. Wolfstein dashed the body convulsively on the earth, and, wildered by the suscitated energies of his soul almost to madness, rushed into the vaults.
Not yet had the bell announced the hour of midnight. Wolfstein sate on a projecting mass of stone; his frame trembled with a burning anticipation of what was about to occur; a thirst of knowledge scorched his soul to madness; yet he stilled his wild energies,—yet he awaited in silence the coming of Ginotti. At last the bell struck; Ginotti came; his step was rapid, and his manner wild; his figure was wasted almost to a skeleton, yet it retained its loftiness and grandeur; still from his eye emanated that indefinable expression which ever made Wolfstein shrink appalled. His cheek was sunken and hollow, yet was it flushed by the hectic of despairing exertion. "Wolfstein," he said, "Wolfstein, part is past—the hour of agonizing horror is past; yet the dark and icy gloom of desperation braces this soul to fortitude;—but come, let us to business." He spoke, and threw his mantle on the ground. "I am blasted to endless torment," muttered the mysterious. "Wolfstein, dost thou deny thy Creator?"—"Never, never."—"Wilt thou not?"—"No, no,—anything but that."
Deeper grew the gloom of the cavern. Darkness almost visible seemed to press around them; yet did the scintillations which flashed from Ginotti's burning gaze dance on its bosom. Suddenly a flash of lightning hissed through the lengthened vaults: a burst of frightful thunder seemed to convulse the universal fabric of nature; and, borne on the pinions of hell's sulphurous whirlwind, he himself, the frightful prince of terror, stood before them. "Yes," howled a voice superior to the bursting thunder-peal; "yes, thou shalt have eternal life, Ginotti." On a sudden Ginotti's frame mouldered to a gigantic skeleton, yet two pale and ghastly flames glared in his eyeless sockets. Blackened in terrible convulsions, Wolfstein expired; over him had the power of hell no influence. Yes, endless existence is thine, Ginotti—a dateless and hopeless eternity of horror.[1]
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Ginotti is Nempere. Eloise is the sister of Wolfstein. Let then the memory of these victims to hell and malice live in the remembrance of those who can pity the wanderings of error; let remorse and repentance expiate the offences which arise from the delusion of the passions, and let endless life be sought from Him who alone can give an eternity of happiness.
- ↑ It is, perhaps, worth while to extract from Stockdale's Budget the elucidation of the catastrophe which the author vouchsafed to the publisher in a letter dated the 14th of November, 1810: "Ginotti, as you will perceive, did not die by Wolfstein's hand, but by the influence of that natural magic which, when the secret was imparted to the latter, destroyed him. Mountfort being a character of inferior import, I did not think it necessary to state the catastrophe of him, as it could at best be but uninteresting. Eloise and Fitzeustace are married and happy, I suppose, and Megalena dies by the same means as Wolfstein. I do not myself see any other explanation that is required."