A Good Woman (Bromfield)/Part 3/Chapter 23

by Louis Bromfield

23

Philip wakened slowly, conscious of being stiff and sore from having slept in a cramped position, and thinking, "It must be late. Naomi will be home soon." And then, looking up at the clock, he saw that it was after one. He rose and went over to it, listening for the tick to make certain that it was working properly. He looked at his own watch. It, too, showed five minutes past one. He listened for a moment to the sound of the rain beating upon the tin roof and then he went into the other two rooms. They were empty, and, suddenly, he was frightened.

Giving a final look at the twins, he seized his hat, and, hurrying down the steps, roused the long-suffering Mrs. Stimson and told her that Naomi hadn't yet come home. He begged her to leave her door open, so that she might hear the twins if they began to scream, and without waiting to hear her complaints he rushed out into the rain.

It fell in ropes, melting the snow and running off down the hill in torrents. To-morrow, he knew dimly, there would be a flood in the Flats. The water would rise and fill the stinking cellars of the houses. Those few families who lived in tents must already be soaked with the cold downpour. The streets were deserted, and the shops and houses black and dark. Once he caught the distant glint of light on the wet black slicker of a policeman. Save for this, he seemed to be alone in a town of the dead.

From a long way off he saw the light in the church study, and the sight of it warmed him with quick certainty that Naomi must still be there. Some urgent thing, he told himself, had arisen at choir practice. He ran down the street and through the churchyard, and at the door of the study he knocked violently. No one answered. The place was empty. He opened the door. A drawer of the cabinet stood half-open with a pile of music thrust into it carelessly. A drawer of the desk was open and empty. The gas still flickered in the corner. Passing through the study, he went into the church itself. It was dark, save for a dim flare that made the outlines of the windows silhouettes of gray set in black. The empty church frightened him. He shouted, "Naomi! Naomi!" and, waiting, heard only an echo that grew fainter and fainter . . . "Naomi! . . . Naomi! . . . Naomi! . . ." until it died away into cold stillness. Again he shouted, and again the mocking, receding echo answered him. . . . "Naomi! . . . Naomi! . . . Naomi! . . ." His own voice, trembling with terror, came back to him out of the darkness: "Naomi! . . . Naomi! . . . Naomi!"

He thought, "She's not here, but she might be at the parsonage. In any case, Reverend Castor will know something." And then, "But why did he go away leaving the gas lighted and the study unlocked?" He turned back and, running, went through the dark church and the lighted study out into the rain.

There was a light still burning in the parsonage, and as he turned into the path he saw that a figure, framed against the light, stood in the upper window. At first he thought, "It's Reverend Castor," and then almost at once, "No . . . it's his wife. She's waiting for him to come home."

He knocked loudly at the door with a kind of desperate haste, for a terrible suspicion had begun to take form. Whatever had happened to Naomi, every moment was precious: it might save her from some terrible act that would wreck all her life and the Reverend Castor's as well. He knocked again, and then tried the door. It was locked, and he heard an acid voice calling out, "I'm coming. I'm coming. For Heaven's sake, don't break down the door!"

The key turned, and he found himself facing a figure in a gray flannel dressing-gown, dimly outlined by the slight flicker of gas. He could barely distinguish the features—thin, white and pinched . . . the features of a woman, the Reverend Castor's wife.

"Who are you . . . coming at this hour of the night to bang on people's doors?" It was a thin, grating voice. As his eyes grew accustomed to the light, he saw a face of incredible repulsion. It was a mean face, like that of a malicious witch.

"I'm Philip Downes. I'm trying to find my wife. She didn't come home from choir practice."

A look of evil satisfaction suddenly shadowed the woman's face. "She wasn't the only one that didn't come back. Like as not they're still there, carrying on in the church. I guess it wouldn't be the first time."

He didn't care what she was saying, though the sound of her voice and the look in her cold blue eyes made him want to strangle her.

"They aren't there. I've just come from the church."

He fancied that he heard her chuckle wickedly, but he couldn't be certain. He heard her saying, "Then he's done it. I always knew it would happen."

He seized her by the shoulders. "Done what? What do you mean?"

"Let go of me, young man! Why, he's run off with your wife, you fool! I always knew he'd do it some day. Oh, I knew him . . . Samuel Castor . . . I haven't been married to him for fifteen years for nothing!"

He wanted to shake her again, to make her talk. "If you knew, why didn't you tell me?"

"Because it might have been any woman. It wasn't just your wife. I wasn't sure who it would be." She began to laugh again, a high, cackling laugh. "I told him he'd do it. I told him so every night. I knew it was going to happen." She seemed to find delight in her horrible triumph.

"Where have they gone?"

"How do I know where they've gone? He's gone to hell for sure now, where he can't torment me any more. He's left me—a poor invalid . . . without a cent or any one to look after me. God knows what'll become of me now. But he's done it. I always told him he would. He's a fine man of God! He's left a poor invalid wife . . . penniless and sick."

There was a kind of wild delight in her voice and manner, as if she had been trying all these years to destroy him and had at last succeeded. She seemed to receive this last calamity as the final crown of her martyrdom. She was happy. To Philip it seemed suddenly that by wishing it, by thinking of nothing else for fifteen years, she had made the thing happen—just as it was Emma who had made happen the thing she wanted to believe—that Mary had stolen him from her.

He waited no longer. He ran past the malicious figure in the greasy dressing-gown, out again into the rain. He heard her saying, "He didn't even think of my hot-water bottle . . . the scoundrel . . ." and then the horrible voice was drowned by the sound of the downpour.

Without quite knowing how he got there, he found himself, soaked and shivering, inside the baggage-room at the railway station. Everything else was closed, but in the shadows among the gaudy, battered trunks of some theatrical company, the baggageman dozed quietly. He was shaken into consciousness to find a madman standing before him, white and trembling, and dripping with water.

"Tell me," Philip asked, "did any one leave the Town on the one o'clock?"

The man looked at him sleepily, and growled something about being wakened so roughly.

"Tell me. I've got to know!"

He scratched his head. "Why, yes. I do mind somebody gettin' on the one o'clock. Come to think of it, it was what's-his-name, the preacher."

"Reverend Castor?"

"Yes . . . that's the one . . . the big fellow."

"Was he alone?"

"I dunno. . . . He was alone for all I know. I didn't see no one else."

Philip left him, and, outside, stood for a moment in the shelter of the platform shed, peering into the distance where the gleaming wet rails disappeared into the dimness of fog and jewel-like signal lights. And all at once he hated the Flats, the Mills, the whole Town, and then he laughed savagely: even his beloved locomotives had betrayed him by carrying Naomi off into the darkness.

There was nothing to do now. What was done was done. He was glad he hadn't gone to the police to find her. If they didn't know, it would keep the thing out of the papers for a little time, and the two of them might come back. There was only that crazy old woman in the parsonage who need be feared; it was impossible to imagine what she might do. He hadn't really thought of her until now, and, as he walked through the rain, up the hill again, to his mother's house, her horrid image kept returning to him as she stood in her greasy dressing-gown screaming at him in triumph, "I knew it would happen some day. I always told him he'd do it!"

He thought, "I never knew it was as bad as that. No one knew." It seemed to him that God would forgive a man any sin who must have suffered as the Reverend Castor.

He was no longer conscious of the downpour, for he was already as wet as if he had jumped into the brook, and as he walked, all the deadly sickness of reaction began to sweep over him. He was tired suddenly, so tired that he could have lain down in the streaming gutter in peace; the whole thing seemed suddenly to lose all its quality of the extraordinary. In his weariness it seemed quite a usual experience that a man should be searching the Town for a wife who had run away with the preacher. It was as if the thing hadn't happened to himself, but as if he saw it from a great distance, or had heard it told him as a story. To-morrow (he thought), or the next day, they would be telling it everywhere in the Town, in every cigar-store and poolroom, about the stove at McTavish's undertaking parlors. They would hear of it even in Hennessey's saloon. All at once a sudden flash of memory returned to him—of Hennessey standing above him, saying, "Run along home to your Ma like a good little boy. Tell her not to let her little tin Jesus come back to Hennessey's place, if she don't want him messed up too much to be a good missionary . . . I don't want to be mixed up with that hell-cat."

In that queer mood of slackness, he was certain now of only one thing—that he could stay no longer in the same Town where Naomi and the Reverend Castor had lived, where Giulia Rizzo had been killed, where that pathetic uprising of workmen asking justice had been beaten down. He couldn't stay any longer in the same place with his own father. He wanted to go away, to the other side of the earth. Any place, even the savage, naked jungle at Megambo was less cruel than this black and monstrous Town.

At the slate-colored house he hammered on the door for twenty minutes without getting any answer, and at last he went to the side of the house and tossed stones against the window behind which his mother and father were passing what Mabelle called "a second honeymoon." After a moment a head appeared at the window, and his mother's voice asked, "Who's there? For God's sake, what's the matter?"

"It's Philip . . . let me in!"

She opened the door to him in her outing-flannel gown and a flowered wrapper which he had never seen her wear before. It was, he supposed, a best wrapper which she had kept against the homecoming she had—awaited for years. Her head was covered coquettishly by a pink boudoir cap trimmed with lace. As he closed the door behind him, she said, "For God's sake, Philip. What's the matter? Have you gone crazy?"

He smiled at her, but it was a horrible smile, twisted and bitter, and born of old memories come alive, and of a disgust at the sight of the flowered wrapper and the coquettish lace cap. "No, I'm not crazy this time—though I've a right to be. It's about Naomi . . . she's run away. . . ."

"What do you mean?"

"And she hasn't gone alone. She's run away with the Reverend Castor."

"Philip! You are crazy. It's not true!"

"I'm telling you the truth. I know."

She sat down suddenly on the stairs, holding to the rail for support. "Oh, my God! Oh, my God! What have I done to deserve such a thing? When will Godbring me to the end of my trials?"

He made no move to comfort her. He simply stood watching, until presently she asked, "How do you know? There must be a mistake . . . it's not true."

Then he told her bit by bit the whole story, coldly and with an odd, cruel satisfaction, so that no doubt remained; and for the first time in his memory he saw her wilt and collapse.

"You see, Ma, there can't be any doubt. They've gone off together."

Suddenly she seemed to make a great effort. She sat up again and said bitterly, "I always thought something like this would happen. She was always flighty . . . I discovered that when she lived here. She wasn't any good as a wife or as a mother. She wouldn't nurse her own children. No . . . I think, maybe, you're well rid of her . . . the brazen little slut."

"Don't say that, Ma. Whatever has happened is our fault. We drove her to it." His words were gentle enough; it was his voice that was hard as flint.

"What do you mean? How can you accuse me?"

"We treated her like dirt . . . and it wasn't her fault. In some ways she's better than either of us."

She looked at him suddenly. "You're not planning to take her back if she comes running home with her tail between her legs?"

"I don't know . . . I have a feeling that she'll never come back."

"Leaving her children without a thought!"

"I don't suppose she left them without a thought . . . but sometimes a person can be so unhappy that he only wants to die. I know . . . I've been like that. Besides, she never wanted the children any more than I wanted them."

"How can you say such a wicked thing!"

His face looked thin and pinched and white. The water, all unnoticed, had formed a pool about his feet on the immaculate carpet of Emma's hall. He was shaking with chill. He was like a dead man come up out of the sea. And deep inside him a small voice was born, which kept saying to him, "It's that ridiculous woman in a flowered wrapper and pink cap who lies at the bottom of all this misery." It was a tiny voice, but, like the voice that the Reverend Castor had tried to still by repeating Psalms, it would not die. It kept returning.

"It's not wicked. It's only the truth . . . and it's only the truth I care about to-night. I don't give a damn for anything else in the world . . . not for what people think, or about what they say. They can all go to hell for all I care." His face was white and expressionless, like the face of a man already dead. It was the voice that was terrible.

"You needn't swear, Philip." She showed signs of weeping. "And I never thought my boy would turn against his own mother—not for any woman in the world."

"Now don't begin that. I'm not your boy any longer. I've got to grow up sometime. I'm not turning against you. I'm just sick to death of the whole mess. I'm through with the whole thing."

She wiped her eyes with a corner of the ridiculous flowered wrapper, and the sight made him want to laugh. The tiny voice grew more clamorous.

She was saying, "I won't wake your Pa and tell him. He's no good at a time like this." (Philip thought, "I don't know. He might do better than any of us.") "And I'll dress and come down to the twins. And you ought to get on some dry clothes." She rose, turned all at once into a woman of action. "I'll take care of the twins."

"No," he said abruptly. "I can do that."

"You don't know about their bottles."

"I do know . . . I've done them on the nights Naomi went to choir practice. I don't want you to come . . . I want to be alone with them."

"Philip . . . I'm your' mother. . . . It's my—place. . . ."

"I want to be alone with them. . . ."

He looked so wild that she seized his shoulders and said, "You're not thinking anything foolish, are you?"

"I don't know what I'm thinking. I can't bear to think of her running off like that. I can't bear to think of how we treated her. . . . If you mean that I'm thinking of killing myself, I'm not . . . I can't do that. I've got to think of little Philip and Naomi. If it wasn't for them . . . I might do anything."

Suddenly in a wild hysteria, she put her arms about him, crying out, "Philip! Philip! My boy! Don't say such things—it's not you who's talking. It's some one else . . . it's a stranger . . . somebody I never knew . . . somebody I didn't bear out of my own body." She shook him passionately. "Philip! Philip! Wake up! Be your old self . . . my son. Do you hear me, darling? You do love me still. Tell me what's in your heart . . . what the voice of your real self is saying."

In the violence of her action, the pink lace cap slipped back on her head, exposing a neat row of curl-papers, festoons and garlands (thought Philip in disgust) of their second honeymoon. He didn't resist her. He simply remained cold and frozen, one cold, thin hand thrust into his pocket for warmth. Then suddenly the hand touched something which roused a sudden train of memory, and when at last she freed him, he drew out a pair of worn gloves.

"I think I'll go home now," he said in the same frozen voice. "Before I go, I must give you these. Mary Conyngham sent them to you. I think you left them at her house when you went to call." It was as if he said to her, "It's true . . . what you thought about Mary and me. It's true . . . now."

She took the gloves with a queer, mechanical gesture, and without another word he turned and went out, closing the door. When he had gone, she sat down on the steps again and began to weep, crying out, "Oh, God! Oh, God! What have I done to deserve such trouble! Oh, God! Have pity on me! Bring my son back to me!"

Suddenly, in a kind of frenzy, she began to tear the gloves to bits, as if they were the very body of Mary Conyngham. In the midst of her wild sobbing, a voice came out of the dark at the top of the stairs, "For Heaven's sake, Em, what are you carrying on about now?"

It was Jason standing in his nightshirt, his bare legs exposed to the knees. "Come on back to bed. It's cold as Jehu up here."

 

By the time Philip reached the Flats, the rain had begun to abate a little, and the sky beyond the Mills and Shane's Castle to turn a pale, cold gray with the beginning of dawn. The twins were awake and crying loudly. Poking up the fire in the kitchen range, he prepared the bottles and so quieted them before taking off his soaked clothing. The old feeling of being soiled had come over him again, more strongly even than on the day in Hennessey's saloon, and when he had undressed and rubbed warmth back into his body, he drew hot water from the kitchen range, and, standing in a washtub by the side of the cribs where he could restore the bottles when they fell from the feeble grasp of the twins, he scrubbed himself vigorously from head to foot, as if thus he might drive away that sordid feeling of uncleanness.

At last he got into the bed beside the cribs—the bed which he had never shared with Naomi, and to which it was not likely that she would ever return. He had barely slept at all in more than two days, but it was impossible to sleep now. His mind was alive, seething, burning with activity like those cauldrons of white-hot metal in the Mills; yet he experienced a kind of troubled peace, for he had come to the end of one trouble. He knew that with his mother it was all finished. In the moment he had given her the gloves, he knew that he didn't love her any more, that he no longer felt grateful to her for all that she had done for him. There was only a deadness where these emotions should have been. It was all over and finished: it would be better now if he never saw her again.

And the twins . . . they must never go to her; whatever happened, she must never do to them what she had done to him. He would protect them from her, somehow, even if he died.

The day that followed was one of waiting for some sign, some hint, some bit of knowledge as to the whereabouts of Naomi and the Reverend Castor. Like the day after a sudden death in a household, it had no relation to ordinary days. It was rather like a day suspended without reality in time and space. Philip went about like a dead man. His father came and sat with him for a time, silent and subdued, and strangely unlike his old exuberant self.

It was Emma alone who seemed to rise above the calamity. "It is," she said, "a time for activity. We must face things. We mustn't give in."

She went herself to call upon the editors of the two newspapers and by some force of threats and tears she induced them to keep silence regarding the affair until some fact was definitely known. It was a triumph for her, since neither editor had any affection for her, and one at least hated her. From the newspaper offices she went at once to call upon the invalid in the parsonage. She found the miserable woman "prostrated," and in the care of Miss Simpkins, head of the Missionary Society. Before five minutes had passed, she understood that she had arrived too late. Miss Simpkins had been told the whole story, and in turn had communicated it, beyond all doubt, to a whole circle of hungry women. The invalid was still in the same state of triumph. It seemed to Emma that she saw no disgrace in the affair, but only a sort of glory and justification. It was as if she said, "People will notice my misery at last. They'll pay some attention to me. They'll give up pitying him and pity me for a time." It was impossible to argue with her. When Emma left, she said to herself savagely, "The old devil has got what was coming to her. She deserved it."

Once a trickle of the scandal had leaked out, there was no stopping it: the news swept the Town as the swollen waters of the brook flooded the pestilential Flats. It reached Mary Conyngham late in the afternoon. For a time she was both stunned and frightened, as if the thing were a retribution visited with horrible speed upon herself and Philip. And then, quickly, she thought, "I must not lose my head. I've got to think of Philip. I've got to help him." She fancied him haunted by remorse and self-reproaches, creating in his fantastic way all manner of self-tortures. One of them at least must keep his head, and she was certain that the one wouldn't be Philip. And she was seized with a sudden terror that the calamity might shut him off from her forever: it was not impossible with a man like Philip who was always tormenting himself about troubles which did not exist. She found to her astonishment that she herself felt neither any pangs of conscience nor any remorse. What she had done, she had done willingly, and with a clear head: if there had ever been any doubts they were over and done with before she had gone to the stable.

She dared not, she knew, go and see him, and thus deliver herself into the hands of his mother; for she knew well enough that Emma would be waiting, watching for just such a chance. She would want to say to Philip, "You see, it's the judgment of God upon you for your behavior with Mary Conyngham." For a second there came to Mary a faint wish that she had never turned Emma's accusation into truth, but it died quickly. She knew that nothing could ever destroy the memory of what had happened on the night of the slaughter in the dead park.

She decided at last to write to him, and late that night, after she had torn up a dozen attempts (because writing to a man like Philip under such circumstances was a dangerous business) she finished a note and sent it off to him. She wrote: "My Darling . . . I can't come to you now. You know why it is impossible. And I want to be with you. It is killing me to sit here alone. If you want to meet me anywhere, send word. I'd go to hell itself to help you. You mustn't torment yourself. You mustn't imagine things. At a time like this, you must keep your head. For God's sake, remember what we are to each other, and that nothing else in the world makes any difference. I love you, my boy. I love you . . . Mary."

Then she addressed the note, and, as a safeguard against Emma, printed "Personal" in large letters on the outside of the envelope. It was too late to find any one to deliver the note and the post-office was closed. At last she put on a hat and coat and went herself to leave it under the door of the drugstore, where the druggist would be certain to deliver it in the morning. When she came home again, she lay down in the solitude of the old Victorian parlor, and before long fell asleep. It was two o'clock when she wakened, frightened, and shivering with cold.

Mr. Stimson, the druggist, found the letter in the morning, and laid it aside until he had swept out the store. Then he had breakfast and when a Pole with a cut on the side of his head came in to have it bandaged, he quite forgot the letter. It was only after ten o'clock when a boy came bringing a telegram for Philip that he remembered it suddenly. The note and the telegram were delivered together.

The telegram was brief. A man and woman believed to be Samuel Castor and Mrs. Philip Downes were found dead by suicide in a Pittsburgh boarding-house. Would Mr. Downes wire instructions, or come himself. It was signed, "H. G. Miller, Coroner."