4014103A Treatise on Painting — Of OutlinesJohn Francis RigaudLeonardo da Vinci

Chap. CCLXIV.Of Outlines.

The extremities of objects which are at some distance, are not seen so distinctly as if they were nearer. Therefore the painter ought to regulate the strength of his outlines, or extremities, according to the distance.

The boundaries which separate one body from another, are of the nature of mathematical lines, but not of real lines. The end of any colour is only the beginning of another, and it ought not to be called a line, for nothing interposes between them, except the termination of the one against the other, which being nothing in itself, cannot be perceivable; therefore the painter ought not to pronounce it in distant objects.