A Treatise on Painting
by Leonardo da Vinci, translated by John Francis Rigaud
The Reflexes of Flesh Colours
4014764A Treatise on Painting — The Reflexes of Flesh ColoursJohn Francis RigaudLeonardo da Vinci

Chap. CCLXXX.The Reflexes of Flesh Colours.

The lights upon the flesh colours, which are reflected by the light striking upon another flesh-coloured body, are redder and more lively than any other part of the human figure; and that happens according to the third proposition of the second book[1], which says, the surface of any opake body participates of the colour of the object which reflects the light, in proportion as it is near to or remote from it, and also in proportion to the size of it; because, being large, it prevents the variety of colours in smaller objects round it, from interfering with, and discomposing the principal colour, which is nearer. Nevertheless it does not prevent its participating more of the colour of a small object near it, than of a large one more remote. See the sixth proposition[2] of perspective, which says, that large objects may be situated at such a distance as to appear less than small ones that are near.

  1. See chap. ccxxiii. ccxxxvii. cclxxiv. cclxxxii. of the present work. We have before remarked, that the propositions so frequently referred to by the author, were never reduced into form, though apparently he intended a regular work in which they were to be included.
  2. No where in this work.