A Treatise on Painting
by Leonardo da Vinci, translated by John Francis Rigaud
Of the Perspective of Colours
4015750A Treatise on Painting — Of the Perspective of ColoursJohn Francis RigaudLeonardo da Vinci

Chap. CCXCIII.Of the Perspective of Colours.

The same colour being placed at various distances and equal elevation, the force and effect of its colouring will be according to the proportion of the distance which there is from each of these colours to the eye. It is proved thus: let C B E D be one and the same colour. The first, E, is placed at two degrees of distance from the eye A; the second, B, shall be four degrees, the third, C, six degrees, and the fourth, D, eight degrees; as appears by the circles which terminate upon and intersect the line A R. Let us suppose that the space A R, S P, is one degree of thin air, and S P E T another degree of thicker air. It will follow, that the first colour, E, will pass to the eye through one degree of thick air, E S, and through another degree, S A, of thinner air. And B will send its colour to the eye in A, through two degrees of thick air, and through two others of the thinner sort. C will send it through three degrees of the thin, and three of the thick sort, while D goes through four degrees of the one, and four of the other. This demonstrates, that the gradation of colours is in proportion to their distance from the eye[1]. But this happens only to those colours which are on a level with the eye; as for those which happen to be at unequal elevations, we cannot observe the same rule, because they are in that case situated in different qualities of air, which alter and diminish these colours in various manners.

  1. See chap. cclxxxvii.