| NO. |
|
PAGE
|
| 88. |
A Basso's Wit, |
86
|
| 254. |
A Bold Pupil, |
249
|
| 40. |
A Boy's Memory, |
43
|
| 211. |
A Burial Place Denied, |
207
|
| 291. |
A Charitable Trio, |
290
|
| 229. |
A Comical Revenge, |
226
|
| 30. |
A Concert Preacher, |
35
|
| 232. |
A Compliment from Haydn, |
228
|
| 96. |
A Composer's Chagrin, |
92
|
| 206. |
A Costly Fiddle, |
204
|
| 19. |
A Critical Composition, |
26
|
| 190. |
A Deserved Chastisement, |
187
|
| 144. |
A Double Dose of Brahms, |
145
|
| 265. |
A Dressing-room War, |
260
|
| 63. |
A Fiddler's Trick, |
64
|
| 98. |
A Frightened Desdemona, |
95
|
| 224. |
A Great German Songstress, |
220
|
| 183. |
A Great Thief, |
180
|
| 153. |
A Gentle Critic, |
154
|
| 227. |
A Gory Drumstick, |
223
|
| 135. |
A Great Quartet, |
135
|
| 75. |
A Hatful of Pearls, |
74
|
| 186. |
A Kind Act, |
185
|
| 249. |
A Little Trick of Paganini's, |
245
|
| 197. |
A Long Encore Number, |
195
|
| 37. |
A Musical Priest, |
41
|
| 217. |
A Musical Tragedy, |
213
|
| 193. |
A Narrow Escape, |
190
|
| 233. |
A Particular Prima Donna, |
229
|
| 114. |
A Patient Pupil, |
111
|
| 72. |
A Patti Reception that She Didn't Receive, |
72
|
| 105. |
A Peculiar Genius, |
101
|
| 288. |
A Peculiar Visiting Card, |
285
|
| 260. |
A Prima Donna's Pets, |
255
|
| 50. |
A Queen's Regard for her Music Teacher, |
53
|
| 92. |
A Second Napoleon, |
89
|
| 146. |
A Sharp Rejoinder, |
147
|
| 93. |
A Singer's Sense, |
90
|
| 225. |
A Sight for the Boys, |
222
|
| 61. |
A Song for Forty, |
62
|
| 13. |
A Sudden Cure, |
21
|
| 10. |
A Test of Precocity, |
18
|
| 194. |
A Pyrotechnic Violoncello, |
191
|
| 142. |
A Violin for Eighteen Pence, |
143
|
| 52. |
A Witty Songstress, |
55
|
| 117. |
Absent Minded, |
115
|
| 159. |
An Absent-minded Conductor, |
159
|
| 36. |
An Army, a Cow, and a Prima Donna, |
40
|
| 51. |
An Earnest Student, |
54
|
| 78. |
An Episode in the Life of an Artist, |
76
|
| 257. |
An Erratic Prima Donna, |
252
|
| 178. |
An Even Distribution of Honors, |
176
|
| 110. |
An Eventful Career, |
106
|
| 215. |
An Exciting Musical Duel, |
211
|
| 58. |
An Ignorant Tenor, |
59
|
| 157. |
An Interrupted Concert, |
157
|
| 216. |
An Interrupted Strain, |
213
|
| 172. |
An Interrupted Opera, |
170
|
| 222. |
An Obese Basso, |
219
|
| 256. |
An Opera Sacrificed, |
251
|
| 25. |
An Uncringing Reply, |
31
|
| 46. |
An Unorthodox Creed, |
48
|
| 22. |
An Untalented Royal Pupil, |
28
|
| 69. |
Another Way, |
69
|
| 42. |
Artistic Aversion to Empty Honors, |
45
|
| 266. |
Aristocratic Patronage—Haydn's Farewell, |
261
|
| 243. |
Arrested for Treason, |
238
|
| 154. |
Art Before Business, |
155
|
| 280. |
Artistic Pride, |
276
|
|
|
| 207. |
Bach's Great Works. How Enjoyed by Some, |
204
|
| 6. |
Balfe's Strange Room Mate, |
14
|
| 44. |
Baton Waving. Lully Losing a Limb, |
46
|
| 202. |
Beethoven a la Cupid, |
199
|
| 271. |
Beethoven, Brain-owner, |
267
|
| 150. |
Beethoven's First Triumph, |
151
|
| 292. |
Beethoven's Forgetfulness, |
291
|
| 281. |
Beethoven's Friends, |
276
|
| 218. |
Beethoven's Gratitude, |
215
|
| 34. |
Beethoven's Kiss, |
39
|
| 173. |
Beethoven Punished, |
171
|
| 7. |
Berlioz and Paganini, |
15
|
| 156. |
Bülow's Bits, |
156
|
| 231. |
But One Seat Left, |
228
|
|
|
| 235. |
Campanini as a Soldier, |
231
|
| 28. |
Catalani and Goethe, |
33
|
| 138. |
Cherubini as a Revolutionary Fiddler, |
139
|
| 219. |
Choleric Händel, |
216
|
| 125. |
Chopin's Technic, |
125
|
| 101. |
Clementi's Economy, |
98
|
| 113. |
Clerical Wit, |
110
|
| 139. |
Conscientious Acting and Singing, |
140
|
| 158. |
Coöperative Composition, |
158
|
| 160. |
Costly Admiration, |
159
|
| 297. |
Cuzzoni—Bordoni, |
295
|
|
|
| 251. |
Delayed Appreciation, |
247
|
| 5. |
Discovering a Nightingale, |
13
|
| 85. |
Disposing of an Audience, |
84
|
|
|
| 79. |
Earning a Violin Easily, |
78
|
| 198. |
"Englyshe Meetre," |
195
|
|
|
| 264. |
Fallible, |
259
|
| 115. |
Field Fooled, |
113
|
| 49. |
Forewarned is Forearmed, |
51
|
| 277. |
Fortunes in Fiddles, |
272
|
| 167. |
French Wit, |
165
|
| 180. |
Friends, |
178
|
| 131. |
From Humble Origin to Wealth and Fame, |
131
|
| 276. |
Fugues and Chess, |
272
|
| 188. |
Fun on the Stage, |
186
|
|
|
| 132. |
Gallant Haydn, |
133
|
| 247. |
Genius Discovered by Punishment, |
243
|
| 4. |
Glimpses of Cherubini, |
12
|
| 296. |
Gluck—Piccinni, |
294
|
| 262. |
Goat Hair for Hero Worshipers, |
257
|
| 24. |
Good English in Song, |
29
|
| 176. |
Gounod's Faust, |
173
|
| 228. |
Great Musical Memories, |
224
|
|
|
| 295. |
Händel—Buononcini, |
293
|
| 151. |
Händel's Duel, |
152
|
| 74. |
Händel's Escape, |
74
|
| 23. |
Händel's Persuasiveness, |
29
|
| 87. |
Händel's Successful Scheme, |
85
|
| 141. |
Händel's Youth, |
142
|
| 94. |
Haydn's Noble English Pupil, |
91
|
| 286. |
Haydn's Last Appearance, |
283
|
| 181. |
Haydn's Reception by Prince Esterhazy, |
178
|
| 18. |
He Didn't Purchase, |
25
|
| 39. |
High Art, |
43
|
| 8. |
History Repeats Itself, |
16
|
| 274. |
Honest Opinions, |
269
|
| 82. |
How Berlioz Fooled the Critics, |
80
|
| 122. |
How Paganini Secured his Favorite Fiddle, |
121
|
| 68. |
How to Make a Singer Sing, |
68
|
| 60. |
How to Secure a Successful Début, |
61
|
| 285. |
Humor in Composition, |
280
|
|
|
| 191. |
Il Trovatore, |
188
|
| 169. |
Imagination a Factor in Hearing Music, |
167
|
| 200. |
Impositions on Musicians, |
197
|
| 128. |
In Bülow's Class-Room, |
128
|
| 11. |
Irish Enthusiasm, |
19
|
|
|
| 54. |
Jealousy in the Family, |
56
|
| 270. |
Jenny Lind's Generosity, |
266
|
|
|
| 104. |
Keeping at It, |
101
|
| 20. |
Keep in with the Accompanist, |
27
|
|
|
| 95. |
Lablache and Tom Thumb, |
92
|
| 67. |
Leoncavallo's Whimsical Opinion of his "Clowns," |
67
|
| 149. |
Lind's First Engagement, |
150
|
| 242. |
Liszt as an Advertiser, |
238
|
| 250. |
Liszt's Completion of the Beethoven Monument, |
246
|
| 123. |
Liszt on Mendelssohn, |
122
|
| 130. |
Liszt's Playing and his Generosity, |
130
|
| 103. |
Liszt's Precocity, |
99
|
| 269. |
Liszt's Reply to Louis Philippe, |
265
|
| 299. |
Liszt—Thalberg, |
298
|
| 134. |
Lives of Labor, |
134
|
| 241. |
Longevity of Musicians, |
235
|
|
|
| 71. |
Manuscript for Kettles, |
71
|
| 81. |
Malibran's Generosity, |
79
|
| 124. |
Mara's Revenge, |
124
|
| 76. |
Mendelssohn Composing for Fun, |
75
|
| 35. |
Mendelssohn's Dislike of Meyerbeer, |
39
|
| 234. |
Mendelssohn's Kindness, |
230
|
| 143. |
Mendelssohn at Work, |
144
|
| 195. |
Misdirected and Repressed Talent, |
192
|
| 109. |
Modulations, |
105
|
| 53. |
Moscheles' Blunder, |
55
|
| 65. |
Mozart's Acknowledgment |
66
|
| 170. |
Musical and Non-Musical Accent, |
168
|
| 38. |
Musical Criticism, |
42
|
| 279. |
Musical Cooks, |
275
|
| 56. |
Musical Gratitude, |
57
|
| 283. |
Music for the Eye, |
279
|
| 83. |
Music Hath Charms, |
81
|
| 43. |
Music and Madness, |
46
|
| 102. |
Music at So Much per Note, |
99
|
| 192. |
Music vs. Commerce, |
189
|
| 220. |
Music vs. Conversation |
217
|
|
|
| 111. |
Napoleon Outwitted by a Songtress, |
108
|
| 253. |
Nasal, |
249
|
| 108. |
Nilsson and the Shah of Persia, |
103
|
| 213. |
Not at First Sight, |
210
|
| 239. |
Not the Geese that Saved Rome, |
234
|
|
|
| 17. |
Ole Bull as a Duelist, |
25
|
| 14. |
Ole Bull at "Rouge-et-Noir," |
22
|
| 89. |
Old Words to New Tunes, |
87
|
| 278. |
One Kind of Criticism, |
274
|
| 66. |
Operatic Sore Throat, |
66
|
| 209. |
Original Tapestry, |
206
|
| 289. |
Origin of the Name "Kreutzer Sonata," |
286
|
| 273. |
Our Musical Advancement, |
268
|
| 15. |
Outspoken Admiration, |
23
|
| 252. |
Overfed Composers, |
248
|
|
|
| 152. |
Paganini's Generous Deed, |
153
|
| 226. |
Paganini in Court Dress, |
222
|
| 261. |
Paganini's Method of Study, |
256
|
| 177. |
Patti, Madame, |
174
|
| 100. |
Patti's Vanity, |
97
|
| 208. |
Peculiar English, |
205
|
| 64. |
Personal Appearance, |
64
|
| 12. |
Playing like "Zwei Gotts," |
21
|
| 86. |
Playing on a Shoe, |
85
|
| 175. |
Pot-boilers, |
172
|
| 55. |
Prejudice, |
56
|
| 223. |
Preserving Identity, |
220
|
| 45. |
Prima Donnas Come High, |
48
|
| 282. |
Prolific Composers, |
278
|
| 182. |
Proving Identity, |
179
|
| 187. |
Public Criticism, |
185
|
|
|
| 179. |
Rapid Composition, |
176
|
| 27. |
Rather a Hard Opponent to Conquer, |
33
|
| 136. |
Rec'd in Full of A/c, |
137
|
| 214. |
Restoring an Organ, |
210
|
| 99. |
Retentive Memories, |
96
|
| 248. |
Richard Wagner and the Number "13," |
244
|
| 163. |
Royal Honors to a Singer, |
162
|
| 290. |
Royal Musicians, |
286
|
| 133. |
Rossini and the Italian School, |
133
|
| 293. |
Rossini's Arrogance, |
291
|
| 70. |
Rossini Hearing the Impossible, |
70
|
| 244. |
Rothschild's Music, |
240
|
|
|
| 259. |
Sarcasm, |
254
|
| 116. |
Saving a Fiddle, |
114
|
| 230. |
Scherzo, |
227
|
| 162. |
Schubert's "Erl-King," |
161
|
| 272. |
Schubert's Modesty, |
268
|
| 80. |
Schubert's Serenade, |
78
|
| 246. |
Schumann's Failure, |
242
|
| 284. |
Schumann's Madness, |
279
|
| 127. |
Securing Music under Difficulties, |
127
|
| 106. |
Shaking all Over, |
102
|
| 41. |
Slippers at a Premium, |
44
|
| 121. |
Some Liberal Musicians, |
120
|
| 298. |
Sontag—Malibran, |
297
|
| 91. |
Sontag's Revenge, |
88
|
| 26. |
Southern Passion, |
32
|
| 126. |
Spohr as a Horn Player, |
126
|
| 263. |
Stage Censorship, |
258
|
| 112. |
Stubborn Composers, |
109
|
|
|
| 240. |
That Patti Kiss, |
235
|
| 2. |
The Bach Revival, |
10
|
| 90. |
The Composer's Debt to Nature, |
88
|
| 164. |
The Deaf Beethoven, |
163
|
| 155. |
The "Dear Saxon," |
155
|
| 196. |
The Discovery of a Tenor, |
193
|
| 199. |
"The Devil on Two Sticks," |
197
|
| 47. |
The Devil's Trill, |
49
|
| 73. |
The Encore Fiend, |
73
|
| 300. |
The Financial Circumstances of the Great Composers, |
300
|
| 97. |
The Friends, Mozart and Haydn, |
93
|
| 57. |
The Greater the Composer the Greater the Student, |
58
|
| 9. |
The Greatest Musical Prodigy, |
17
|
| 1. |
The Gregorian Chant, |
9
|
| 201. |
The Hallelujah Chorus, |
199
|
| 119. |
The "Harmonious Blacksmith," |
117
|
| 267. |
The Hebrew in Music, |
263
|
| 287. |
The Heroic in Music, |
283
|
| 165. |
The History of a Violin, |
163
|
| 210. |
The Manual Labor of Composition, |
207
|
| 275. |
The Modern Tendency, |
271
|
| 29. |
The Music but Not the Face, |
35
|
| 107. |
The "Ox" Minuet, |
103
|
| 140. |
The Peculiarities of Genius, |
141
|
| 118. |
The Prima Donna of the Eighteenth Century, |
116
|
| 245. |
The “Prison Josephs," |
241
|
| 77. |
The Right Kind of a Patron, |
76
|
| 268. |
The Story of Mozart's Requiem, |
264
|
| 62. |
The Temple Organ, |
63
|
| 189. |
The Thirty-three Variations, |
187
|
| 120. |
The Ups and Downs of a Singer's Life, |
118
|
| 221. |
The World's Reward to Genius, |
217
|
| 21. |
The Youthful Beethoven's Trick on a Singer, |
27
|
| 185. |
Their Favorite Surroundings for Composition, |
182
|
| 59. |
Three Classes of Players, |
60
|
| 294. |
To a Pauper's Grave, |
292
|
| 236. |
To Make a Player Play, |
231
|
| 168. |
Too Literal, |
166
|
| 31. |
Traveling in State, |
36
|
| 237. |
True Kindliness, |
232
|
| 32. |
Tuning Up, |
37
|
| 147. |
Two Kinds of Bills, |
147
|
|
|
| 145. |
Unfailing Sight Reading an Impossibility, |
146
|
| 48. |
Unlucky Manuscripts, |
50
|
|
|
| 174. |
Violin Collectors, |
172
|
| 238. |
Viotti's Independence, |
233
|
| 129. |
Viotti's Tin Fiddle, |
129
|
| 33. |
Voice Against Trumpet, |
38
|
| 148. |
Von Bülow as a Political Speaker, |
149
|
| 184. |
Von Bülow's Memory, |
182
|
| 212. |
Von Bülow's Peculiarities, |
209
|
| 171. |
Von Weber to a Bawling Choir, |
169
|
| 166. |
"Vorts" vs. Music, |
164
|
| 204. |
Vox Populi, |
201
|
|
|
| 255. |
Wagner's Activity, |
250
|
| 203. |
Wagner and the Beggars, |
200
|
| 84. |
Wagner's Melodies and Chords, |
83
|
| 137. |
Wagner's Working Costume, |
137
|
| 205. |
What's in a Name, |
202
|
| 258. |
When They Began, |
253
|
| 16. |
Whims of Composers, |
24
|
| 3. |
Why We Should Sing, |
11
|
| 161. |
Wine and Music, |
160
|
