Don Rodriguez: Chronicles of Shadow Valley
DON RODRIGUEZ
CHRONICLES OF SHADOW VALLEY
By
LORD DUNSANY
To
WILLIAM BEEBE
PREFACE
After long and patient research I am still unable to give to the reader of these Chronicles the exact date of the times that they tell of. Were it merely a matter of history there could be no doubts about the period; but where magic is concerned, to however slight an extent, there must always be some element of mystery, arising partly out of ignorance and partly from the compulsion of those oaths by which magic protects its precincts from the tiptoe of curiosity.
Moreover, magic, even in small quantities, appears to affect time, much as acids affect some metals, curiously changing its substance, until dates seem to melt into a mercurial form that renders them elusive even to the eye of the most watchful historian.
It is the magic appearing in Chronicles III and IV that has gravely affected the date, so that all I can tell the reader with certainty of the period is that it fell in the later years of the Golden Age in Spain.
CONTENTS
- How he Met and Said Farewell to Mine Host of the Dragon and Knight
- How he Hired a Memorable Servant
- How he Came to the House of Wonder
- How he Came to the Mountains of the Sun
THE FIFTH CHRONICLE, 115
- How he Rode in the Twilight and Saw Serafina
THE SIXTH CHRONICLE, 147
- How he Sang to his Mandolin and what Came of his Singing
- How he Came to Shadow Valley
THE EIGHTH CHRONICLE, 197
- How he Travelled Far
THE NINTH CHRONICLE, 227
- How he Won a Castle in Spain
THE TENTH CHRONICLE, 253
- How he Came back to Lowlight
- How he Turned to Gardening and his Sword Rested
- The Building of Castle Rodriguez and the Ending of These Chronicles
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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