CHAPTER XXXV.
GRANADA AND THE ALHAMBRA.
"Who has not in Granada been,
Verily, he has nothing seen."
Immediately on reaching here, I was set upon by an old gentleman who wanted to act as guide, but the mozo of the hotel put into my hand a card inscribed "Don Mateo Ximenez, Guide to the celebrated Washington Irving," and I dismissed the other applicant. The next morning, as the mozo brought me my chocolate, he said; "Señor, el chico is waiting for you." The "little one" turned out to be the son of old Mateo, "honest Mateo," who still lives up in the Alhambra, but is now rather too old to continue his business, except on great occasions. I accepted the young Mateo, who spoke with the greatest enthusiasm of Mr. Irving, avowing that the whole family was devoted to him, in life and death. It was still raining furiously, and the golden Darro, which roars in front of the hotel, was a swollen brown flood. I don't wonder that he sometimes threatens, as the old couplet says, to burst up the Zacatin, and bear it down to his bride, the Xenil.
Towards noon, the clouds broke away a little, and we sallied out. Passing through the gate and square of Vivarrambla (may not this name come from the Arabic bab er-raml, the “gate of the sand?"), we soon reached the Cathedral. This massive structure, which makes a good feature in the distant view of Granada, is not at all imposing, near at hand. The interior is a mixture of Gothic and Roman, glaring with whitewash, and broken, like that of Seville, by a wooden choir and two grand organs, blocking up the nave. Some of the side chapels, nevertheless, are splendid masses of carving and gilding. In one of them, there are two full-length portraits of Ferdinand and Isabella, supposed to be by Alonzo Cano. The Cathedral contains some other good pictures by the same master, but all its former treasures were carried off by the French.
We next went to the Picture Gallery, which is in the Franciscan Convent. There are two small Murillos, much damaged, some tolerable Alonzo Canos, a few common-place pictures by Juan de Sevilla, and a hundred or more by authors whose names I did not inquire, for a more hideous collection of trash never met my eye. One of them represents a miracle performed by two saints, who cut off the diseased leg of a sick white man, and replace it by the sound leg of a dead negro, whose body is seen lying beside the bed. Judging from the ghastly face of the patient, the operation is rather painful, though the story goes that the black leg grew fast, and the man recovered. The picture at least illustrates the absence of “prejudice of color" among the Saints.
We went into the adjoining Church of Santo Domingo, which has several very rich shrines of marble and gold. A sort of priestly sacristan opened the Church of the Madonna del Rosario — a glittering mixture of marble, gold, and looking-glasses, which has rather a rich effect. The beautiful yellow and red veined marbles are from the Sierra Nevada. The sacred Madonna — a big doll with staring eyes and pink cheeks — has a dress of silver, shaped like an extinguisher, and encrusted with rubies and other precious stones. The utter absence of taste in most Catholic shrines is an extraordinary thing. It seems remarkable that a Church which has produced sO many glorious artists should so constantly and grossly violate the simplest rules of art. The only shrine which I have seen, which was in keeping with the object adored, is that of the Virgin, at Nazareth, where there is neither picture nor image, but only vases of fragrant flowers, and perfumed oil in golden lamps, burning before a tablet of spotless marble.
Among the decorations of the chapel, there are a host of cherubs frescoed on the ceiling, and one of them is represented in the act of firing off a blunderbuss. "Is it true that the angels carry blunderbusses?" I asked the priest. He shrugged his shoulders with a sort of half-smile, and said nothing. Iu the Cathedral, on the plinths of the columns in the outer aisles, are several notices to the effect that "whoever speaks to women, either in the nave or the aisles, thereby puts himself in danger of excommunication." I could not help laughing, as I read this monkish and yet most unmonk-like statute “Oh," said Mateo, “all that was in the desputic times; it is not so now."
A deluge of rain put a stop to my sight-seeing until the next morning, when I set out with Mateo to visit the Royal Chapel. A murder had been committed in the night, near the entrance of the Zacatin, and the paving-stones were still red with the blood of the victim. A funcion of some sort was going on in the Chapel, and we went into the sacristy to wait. The priests and choristers were there, changing their robes; they saluted me good-humoredly, though there was an expression in their faces that plainly said: “a heretic!" When the service was concluded, I went into the chapel and examined the high altar, with its rude wood-carvings, representing the surrender of Granada. The portraits of Ferdinand and Isabella, Cardinal Ximenez, Gonzalvo of Cordova, and King Boabdil, are very curious. Another tablet represents the baptism of the conquered Moors.
In the centre of the chapel stand the monuments erected to Ferdinand and Isabella, and their successors Philip I., and Maria, by Charles V. They are tall catafalques of white marble, superbly sculptured, with the full length effigies of the monarchs upon them. The figures are admirable; that of Isabella, especially, though the features are settled in the repose of death, expresses all the grand and noble traits which belonged to her character. The sacristan removed the matting from a part of the floor, disclosing an iron grating underneath. A damp, mouldly smell, significant of death and decay, came up through the opening. He lighted two long waxen tapers, lifted the grating, and I followed him down the narrow steps into the vault where lie the coffins of the Catholic Sovereigns. They were brought here from the Alhambra, in 1525. The leaden sarcophagi, containing the bodies of Ferdinand and Isabella, lie, side by side, on stone slabs; and as I stood between the two, resting a hand on each, the sacristan placed the tapers in apertures in the stone, at the head and foot. They sleep, as they wished, in their beloved Granada, and no profane hand has ever disturbed the repose of their ashes.
After visiting the Church of San Jeronimo, founded by Gon zalvo of Cordova, I went to the adjoining Church and. Hospital of San Juan de Dios. A fat priest, washing his hands in the sacristy, sent a boy to show me the Chapel of San Juan, and the relics. The remains of the Saint rest in a silver chest, standing in the centre of a richly-adorned chapel. Among the relics is a thorn from the crown of Christ, which, as any botanist may see, must have grown on a different plant from the other thorn they show at Seville; and neither kind is found in Palestine. The true spina christi, the nebbuk, has very small thorns; but nothing could be more cruel, as I found when riding through patches of it near Jericho. The boy also showed me a tooth of San Lorenzo, a crooked brown bicuspis, from which I should infer that the saint was rather an ill-favored man. The gilded chapel of San Juan is in singular contrast with one of the garments which he wore when living — a cowl of plaited reeds, looking like an old fish basket — which is kept in a glass case. His portrait is also to be seen: a mild and beautiful face, truly that of one who went about doing good. He was a sort of Spanish John Howard, and deserved canonization, if anybody ever did.
I ascended the street of the Darro to the Albaycin, which we entered by one of the ancient gates. This suburb is still surrounded by the original fortifications, and undermined by the capacious cisterns of the Moors. It looks down on Gras nada; and from the crumbling parapets there are superb views over the city, the Vega, and its inclosing mountains. The Alhambra rose opposite, against the dark-red and purple »ackground of the Sierra Nevada, and a canopy of heavy rain-clouds rested on all the heights. A fitful gleam of sunshine now and then broke through and wandered over the plain, touching up white towers and olive groves and reaches of the winding Xenil, with a brilliancy which suggested the splendor of the whole picture, if once thus restored to its proper light. I could see Santa Fé in the distance, toward Loxa; nearer, and more eastward, the Sierra de Elvira, of a deep violet color, with the woods of the Soto de Roma, the Duke of Wellington's estate, at its base; and beyond it the Mountain of Parapanda, the weather-guage of Granada, still covered with clouds. There is an old Granadian proverb which says: — “When Parapanda wears his bonnet, it will rain whether God wills it or no." From the chapel of San Miguel, above the Albaycin, there is a very striking view of the deep gorge of the Darro, at one's feet, with the gardens and white walls of the Generalife rising beyond, and the Silla del Moro and the Mountain of the Sun towering above it. The long, irregular lines of the Alhambra, with the huge red towers rising here and there, reminded me somewhat of a distant view of Karnak; and, like Karnak, the Alhambra is picturesque from whatever point it is viewed.
We descended Through wastes of cactus to the Darro, in whose turbid stream a group of men were washing for gold. I watched one of them, as he twirled his bowl in precisely the California style, but got nothing for his pains. Mateo says that they often make a dollar a day, each. Passing under the Tower of Comares and along the battlements of the Alhambra, we climbed up to the Generalife. This charming villa is still in good preservation, though its exquisite filigree and scroll-work have been greatly injured by whitewash. The elegant colonnades surround gardens rich in roses, myrtles and cypresses, and the fountains that lulled the Moorish Kings in their summer idleness still pour their fertilizing streams. In one of the rooms is a small and bad portrait gallery, containing a supposed portrait of Boabdil. It is a mild, amiable face, but wholly lacks strength of character.
To-day I devoted to the Alhambra. 'The storm, which, as the people say, has not been equalled for several years, showed no signs of breaking up, and in the midst of a driving shower I ascended to the Vermilion Towers, which are supposed to be of Phœnician origin. They stand on the extremity of a long, narrow ledge, which stretches out like an arm from the hill of the Alhambra. The paseo lies between, and is shaded by beautiful elms, which the Moors planted.
I entered the Alhambra by the Gate of Justice, which is a fine specimen of Moorish architecture, though of common red brick and mortar. It is singular what a grace the horse-shoe arch gives to the most heavy and lumbering mass of masonry. The round arches of the Christian edifices of Granada seem tame and inelegant, in comparison. Over the arch of the vestibule of this gate is the colossal hand, and over the inner entrance the key, celebrated in the tales of Washington Irving end the superstitions of the people. I first ascended the Torre de la Vela, where the Christian flag was first planted on the 2d of January, 1492. The view of the Vega and City of Granada was even grander than from the Albaycin. Parapanda was still bonneted in clouds, but patches of blue sky began to open above the mountains of Loxa. A little boy accompanied us, to see that I did not pull the bell, the sound of which would call together all the troops in the city. While we stood there, the funeral procession of the man murdered two nights before came up the street of Gomerez, and passed around the hill under the Vermilion Towers.
I made the circuit of the walls before entering the Palace. In the Place of the Cisterns, I stopped to take a drink of the cool water of the Darro, which is brought thither by subterranean channels from the hills. Then, passing the ostentatious pile commenced by Charles V., but which was never finished, and never will be, nor ought to be, we walked along the southern ramparts to the Tower of the Seven Floors, amid the ruins of which I discerned the top of the arch by which the unfortunate Boabdil quitted Granada, and which was thenceforth closed for ever. In the Tower of the Infantas, a number of workmen were busy restoring the interior, which has been cruelly damaged. The brilliant azulejo, or tile-work, the delicate arches and filigree sculpture of the walls, still attest its former elegance, and give some color to the tradition that it was the residence of the Moorish Princesses.
As we passed through the little village which still exists among the ruins of the fortress, Mateo invited me to step in aud see. his father, the genuine "honest Mateo," immortalized in the "Tales of the Alhambra." The old man has taken up the trade of silk-weaving, and had a number of gay-colored ribbons on his loom. He is more than sixty years old and now quite gray-headed, but has the same simple manners, the same honest face that attracted his temporary master. He spoke with great enthusiasm of Mr. Irving, and brought out from a place of safety the “Alhambra" and the “Chronicles of the Conquest," which he has carefully preserved. He then produced an Andalusian sash, the work of his own hands, which he insisted on binding around my waist, to see how it would look. I must next take off my coat and hat, and put on his Sunday jacket and jaunty sombrero. "Por Dios!" he exclaimed: “que buen mozo! Señor, you are a legitimate Andalusian!" After this, of course, I could do no less than buy the sash. “You must show it to Washington Irving," said he, "and tell him it was made by Mateo's own hands;" which I promised. I must then go into the kitchen, and eat a pomegranate from his garden — a glorious pomegranate, with kernels of crimson, and so full of blood that you could not touch them but it trickled through your fingers. El Marques, a sprightly dog, and a great slate-colored cat, took possession of my legs, and begged for a share of every mouthful I took, while old Mateo sat beside me, rejoicing in the flavor of a Gibraltar cigar which I gave him. But my time was precious, and so I let the "Son of the Alhambra" go back to his loom, and set out for the Palace of the Moorish Kings.
This palace is so hidden behind the ambitious shell of that of Charles V. that I was at a loss where it could be. I thought I had compassed the hill, and yet had seen no indications of the renowned magnificence of the Alhambra. But a little door in a blank wall ushered me into a true Moorish realm, the Court of the Fishpond, or of the Myrtles, as it is sometimes called. Here I saw again the slender pillars, the fringed and embroidered arches, and the perforated, lace-like tracery of the fairy corridors. Here, hedges of roses and myrtles still bloomed around the ancient tank, wherein hundreds of gold-fish disported. The noises of the hill do not penetrate here, and the solitary porter who admitted me went back to his post, and suffered me to wander at will through the enchanted halls.
I passed out of this court by an opposite door, and saw, through the vistas of marble pillars and the wonderful fretwork which seems a thing of air rather than of earth, the Fountain of the Lions. Thence I entered in succession the Hall of the Abencerrages, the Hall of the Two Sisters, the apartments of the Sultanas, the Mosque, and the Hall of the Ambassadors. These places — all that is left of the renowned palace — are now well kept, and carefully guarded. Restorations are going on, here and there, and the place is scrupuleusly watched, that no foreign Vandal may further injure what the native Goths have done their best to destroy. The rubbish has been cleared away; the rents in the walls have been filled up, and, for the first time since it passed into Spanish hands, there seems a hope that the Alhambra will be allowed to stand. What has been already destroyed we can only partially conjecture; but no one sees what remains without completing the picture in his own imagination, and placing it among the most perfect and marvellous creations of human genius.
Nothing can exceed the richness of invention which, in this series of halls, corridors, and courts, never repeats the same ornameats, but, from the simplest primitive forms and colors, produces a thousand combinations, not one of which is in discord with the grand design. It is useless to attempt a detailed description of this architecture; and it is so unlike anything else in the world, that, like Karnak and Baalbec, those only know the Alhambra who see it. When you can weave stone, and hang your halls with marble tapestry, you may rival it. It is nothing to me that these ornaments are stucco; to sculpture them in marble is only the work of the hands. Their great excellence is in the design, which, like all great things, suggests even more than it gives. If I could create all that the Court of Lions suggested to me for its completion, it would fulfil the dream of King Sheddad, and surpass the palaces of the Moslem Paradise.
The pavilions of the Court of Lions, and the halls which open into it, on either side, approach the nearest to their origihal perfection. The floors are marble, the wainscoting of painted tiles, the walls of embroidery, still gleaming with the softened lustre of their original tints, and the lofty conical domes seem to be huge sparry crystalizations, hung with dropping stalactites, rather than any work of the human hand. Each of these domes is composed of five thousand separate pieces, and the pendent prismatic blocks, colored and gilded, gradually resolve themselves, as you gaze, into the most intricate and elegant designs. But you must study long ere you have won all the secret of their beauty. To comprehend them, one should spend a whole day, lying on his back, under each one. Mateo spread his cloak for me in the fountain in the Hall of the Abencerrages, over the blood-stains made by the decapitation of those gallant chiefs, and I lay half an hour looking upward: and this is what I made out of the dome. From its central pinnacle hung the chalice of a flower with feathery petals, like the “crape myrtle" of our Southern States, Outside of this, branched downward the eight rays of a large star, whose points touched the base of the dome; yet the star was itself composed of flowers, while between its rays and around its points fell a shower of blossoms, shells, and sparry drops. From the base of the dome hung a gorgeous pattern of lace, with a fringe of bugles, projecting into eight points so as to form a star of drapery, hanging from the points of the flowery star in the dome. The spaces between the angles were filled with masses of stalactites, dropping one belgw the other, till they tapered into the plain square sides of the hall.
In the Hall of the Two Sisters, I lay likewise for a considerable time, resolving its misty glories into shape. The dome was still more suggestive of flowers. The highest and central piece was a deep trumpet-flower, whose mouth was cleft into eight petals. It hung in the centre of a superb lotus-cup, the leaves of which were exquisitely veined and chased. Still further below swung a mass of mimosa blossoms, intermixed with pods and lance-like leaves, and around the base of the dome opened the bells of sixteen gorgeous tulips. These pictures may not be very intelligible, but I know not how else to paint the effect of this fairy architecture. .
In Granada, as in Seville and Cordova, one's sympathies are wholly with the Moors. The few mutilated traces which still remain of their power, taste, and refinement, surpass any of the monuments erected by the race which conquered them. The Moorish Dynasty in Spain was truly, as Irving observes, a splendid exotic, doomed never to take a lasting root in the soil. It was choked to death by the native weeds; and, in place of lands richly cultivated and teeming with plenty, we now have barren and almost depopulated wastes — in place of education, industry, and the cultivation of the arts and sciences, an enslaved, ignorant and degenerate race. Andalusia would be far more prosperous at this day, had she remained in Moslem hands. True, she would not have received that Faith which is yet destined to be the redemption of the world, but the doctrines of Mahomet are more acceptable to God, and more beneficial to Man than those of that Inquisition, which, in Spain alone, has shed ten times as much Christian blood as all the Moslem races together for the last six centuries. It is not from a mere romantic interest that I lament the fate of Boabdil, and the extinction of his dynasty. Had he been a king worthy to reign in those wonderful halls, he never would have left them. Had he perished there, fighting to the last, he would have been freed from forty years of weary exile and an obscure death. Well did Charles V. observe, when speaking of him: “Better a tomb in the Alhambra than a palace in the Alpujarras!"