For works with similar titles, see Napoleon.
Napoleon (1896)
by T. P. O'Connor
4258922Napoleon1896T. P. O'Connor

NAPOLEON.

NAPOLEON

BY

T. P. O'CONNOR,

AUTHOR OF "SOME OLD LOVE STORIES."

LONDON: CHAPMAN AND HALL, Ld.
1896.

F. M. EVANS AND CO., LIMITED, PRINTERS,

CRYSTAL PALACE, S.E.

PREFACE.



I have thought of various methods for presenting these Essays in a collected form. The first and most natural suggestion was that I should, after a careful comparison of their conflicting points of view, and an assortment of their statements, present to the reader a final estimate and a finished picture. I found it impossible to adopt this course. Napoleon had so many sides; was not only so contradictory in himself, but produced such contradictory impressions on different people, that it lay far beyond my power to make one consistent picture of him, and to decide with anything like confidence between testimony at once so contradictory and so authoritative. The plan to which I have been driven, then, is to present these Essays pretty much as they originally appeared—which means that I have made myself the interpreter, and not the judge, of the witnesses and of the evidence. I am conscious of the disadvantages of such a plan; but, on the other hand, it has its compensations. The reader will have ample material for forming his own judgment: Napoleon, too, will be presented in his vast many-sidedness; and finally, there will probably be in the reader's mind, after hearing all these conflicting voices, a nearer approach to a just and accurate estimate of Napoleon than if he had read any one set of witnesses, or if he had been confronted with a self-confident judgment on the final merits of the evidence. No human character is mathematical in its lines; and historical characters especially are much less consistent, either in their goodness or their badness, than their admirers and their foes represent. The final picture of Napoleon which these Essays will leave in the minds of the reader will, I expect, be somewhat blurred, inconsistent—perhaps even chaotic. The picture, perhaps, will be for all this the nearer to reality.

CONTENTS.


PAGE
TAINE'S PORTRAIT 1
I. Napoleon an Italian 1
II. His Italian temperament 3
III. In déshabille 6
IV. His Italian loquacity 8
V. And his sensibility 9
VI. His moments of cowardice 11
VII. Napoleon's family 14
VIII. Napoleon's beginnings 17
IX. His power of command 20
X. An early portrait 22
XI. His power of work 24
XII. The power of taking pains 26
XIII. His mastery of detail 28
XIV. His grasp of character 32
XV. What his memory held 35
XVI. His imaginativeness 38
XVII. Dreams of a new religion 40
XVIII. His Court 43
XIX. His rudeness 47
XX. His aggressiveness 49
XXI. His treatment of his Ministers 50
XXII. The dependence of the Marshals 52
XXIII. His hatred of independence 54
XXIV. His estimate of humanity 57
XXV. His judgments on himself 60
XXVI. The causes of his fall 62
XXVII. The instability of his rule 64
XXVIII. His obstinate egotism 66
THE ESTIMATE OF A WORSHIPPER 70
I. Méneval 70
II. A hero worshipper 72
III. Napoleon appears 73
IV. Méneval starts work 75
V. First dictation 77
VI. A portrait of Napoleon 79
VII. Napoleon at table 82
VIII. Life at Malmaison 83
IX. Josephine's occupations 85
X. Méneval charmed 87
XI. The shadow of a crime 88
XII. Napoleon's power of work 89
XIII. Napoleon in his study 92
XIV. Napoleon as a man of letters 93
XV. Napoleon's orthography 95
XVI. Lapses 97
XVII. Was Napoleon superstitious? 98
XVIII. Curious characteristics 100
XIX. Daily habits 102
XX. Napoleon in the field 104
XXI. The descent begun 107
XXII. Napoleon's forlorn young heir 109
XXIII. A doomed man 111
THE ESTIMATE OF AN OFFICIAL 113
I. The Pasquier dynasty 113
II. The old régime 114
III. Paris before the storm 117
IV. The taking of the Bastille 119
V. The Girondists 120
VI. The advance of the storm 121
VII. A narrow escape 123
VIII. A terrible plan 125
IX. The death of the King 125
X. The Reign of Terror 127
XI. Another narrow escape 129
XII. A rescuing angel 132
XIII. Still the Reign of Terror 134
XIV. A prison scene 137
XV. A prison terrorist 139
XVI. Napoleon 141
XVII. The return from Egypt 142
XVIII. Napoleon's moment of fear 144
XIX. Talleyrand 145
XX. Talleyrand's treachery 146
XXI. Humiliation of Germany 148
XXII. The Talleyrand intrigue 150
XXIII. Napoleon in a passion 152
XXIV. A curious Bonaparte trait 154
XXV. The female Bonapartes 156
AS NAPOLEON APPEARED TO A RELATIVE 159
I. About the Bastille 160
II. The hanging of Foulon 162
III. "To Paris" 164
IV. Paris during the massacre 166
V. How a village was affected by the overturn 168
VI. A first view of Napoleon 171
VII. Napoleon and Josephine 172
VIII. Labours and fatigues 173
IX. The return from Elba 175
X. A changed France 177
XI. Waterloo 179
NAPOLEON, AS HE APPEARED TO A SOLDIER 182
I. Glimpses of the Terror 184
II. The Revolution in the school 187
III. First sight of Napoleon 189
IV. Napoleon often deceived 195
V. Napoleon's diplomatic methods 200
VI. Austerlitz 203
VII. The path of glory 207
VIII. Napoleon and his troops 208
IX. The rise of the house of Rothschild 209
X. Napoleon and Queen Louise 212
XI. Napoleon wounded 213
XII. Napoleon and the Grenadier 215
XIII. Detection of a spy 217
XIV. Napoleon as Haroun-al-Raschid 219
XV. Marbot in a tight place 222
XVI. The end of the adventure 226
XVII. After Moscow 229
XVIII. The blood tax 230
XIX. The defeat at Leipsic 233
XX. Napoleon as a friend 234
NAPOLEON'S CHIEF DETRACTOR 237
I. Nearly a great man 238
II. Barras and Robespierre—a contrast 239
III. The Incorruptible at home 240
IV. A memorable interview 243
V. Danton 246
VI. Robespierre's lust for blood 248
VII. Fouquier-Tinville 249
VIII. Two notorious women 254
IX. The symmetry of Barras's villainy 257
X. Two portraits—Barras and Robespierre 258
XI. Napoleon and Josephine 260
XII. Josephine's tears 264
XIII. Her story to Napoleon 268
XIV. Barras's most deadly charge 272
JOSEPHINE 275
I. Early years 280
II. In the Artillery 283
III. Early poverty 285
IV. A youthful cynic 288
V. Flight from Corsica 291
VI. A first chance 294
VII. He 298
VIII. She 299
IX. Bonaparte knocks 300
X. The room 301
XI. Enter Josephine 302
XII. The fascination begins 303
XIII. In the toils 305
XIV. Venial mendacities 307
XV. Dithyrambic love 310
XVI. Suspicion 312
XVII. Frivolous Josephine 313
XVIII. The first quarrels 317
XIX. Hippolyte Charles 322
XX. In Egypt 323
XXI. Hopeless Josephine 331
XXII. Napoleon's infidelities 333
XXIII. Madame Walewska 335
XXIV. The divorce 338
XXV. After the divorce 342
MARIE LOUISE 344
I. The Corsican ogre 344
II. The rearing of Marie Louise 347
III. Iphigenia 350
IV. Everlasting peace 351
V. The bridegroom 354
VI. As a Western odalisque 355
VII. The gilded cage 357
VIII. The Nemesis of nature 359
IX. The first meeting 361
X. An escapade 363
XI. A portrait 366
XII. Self-distrust 368
XIII. Napoleon's foibles 369
XIV. Household changes 371
XV. Horseplay 373
XVI. Delicacy 375
XVII. A son 377
XVIII. Napoleon as a father 378
XIX. Marie Louise's treason 379
XX. Neipperg 380
XXI. Il Serenissimo 381
NAPOLEON'S LAST VOYAGES 384
I. An adventurous enterprise 384
II. Marseilles after the abdication 387
III. The fallen Emperor 389
IV. Departure for Elba 391
V. Napoleon's powers of observation 393
VI. Ruler of Elba 394
VII. The voyage to St. Helena 397
VIII. A caged lion 398
IX. Life in St. Helena 401
X. Napoleon's selfishness 402
A FINAL PICTURE 405
I. Waterloo 406
II. The battle 408
III. Napoleon 410
IV. Napoleon in retreat 414



This work is in the public domain in the United States because it was published in 1896, before the cutoff of January 1, 1929.


The longest-living author of this work died in 1929, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 94 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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