INDEX.
151
Sommère; Gevaërt, i. 591b.
Son and Stranger, The, iii. 553b; Heimkehr aus der Fremde, i. 725a; Mendelssohn, ii. 309a.
Sonata, iii. 554a; Accompaniment, i. 25a; Allegro, i. 55a; Beethoven, i. 201b, etc.; Cadence, i. 291b, etc.; Canzona, i. 306b; Chamber Mus., i. 332a; Clementi, i. 374a; Concerto, i. 387a; Double Bar, i. 457b; Durchführung, i. 472a; Fantasia, i. 503a; Form, i. 543b, etc.; Haydn, i. 719a; Kirchen Cantaten, ii. 60b; Kuhnau, ii. 76b; Mozart, ii. 398b; Overture, ii. 621b; PF.-playing, ii. 737a, etc.; Prelude, iii. 28b; Relation, iii. 105b; Repeat, iii. 108a; Rondo, iii. 156a, etc.; Scherzo, iii. 246b, etc.; Schools of Comp., iii. 289b; Schubert, iii. 362a, etc.; Schumann, iii. 410a; Slow Movement, iii. 536b; Subject, iii. 752b; Suite, iii. 756a, etc.; Symphony, iv. 12b, etc.; Toccata, iv. 129b; Tonality, iv. 141a; Variations, iv. 217b, etc.; Violin-playing, iv. 288b, etc.; Volta, iv. 338a; Weber, iv. 425a; Working-out, iv. 486b, etc.; Dance Rhythm, iv. 607b.
Sonata di Camera; Suite, iii. 756a.
Sonata di Chiesa; Kirchen Cantaten, ii. 60b.
Song, iii. 584a; iv. 794b; Accent, i. 15b, etc.; Afzelius, i. 41b; Ahlstroem, i. 46a; Arrangement, i. 94b; Arwidsson, i. 96b; Ballad, i. 128b; Barcarole, i. 138b; Blaze (Castil), i. 248b; Brindisi, i. 276b; Burden, i. 283a; Ça Ira, i. 296b; Canzonet, i. 306b; Carmagnole, i. 315b; Carman's Whistle, i. 315b; Chanson, i. 385b, etc.; Chorale, i. 351a; Depart, Chant du, i. 440b; D'Urfey, i. 472a; English Opera, i. 489b; Fayrfax, i. 510b; Florence, i. 533a; Form, i. 541b, etc.; Frank, i. 559a; Franz (R.), i. 559b; Frottole, i. 566a; Gabrielle, Charmante, i. 572b; Haupt (L.), i. 697b; Henri Quatre, Vive, i. 728a; Hiller (J. A.), i. 739a; Hymn, i. 761a; Intermezzo, ii. 8a; Laudi Spirituali, ii. 105a; Lawes (H.), ii. 107a; Lay, ii. 107b; L'homme Armé, ii. 128a; Lied, ii. 133b; Lied-form, ii. 134b; Liederkreis, ii. 135b; Liederspiel, ii. 136a; Lilt, ii. 139a; Lipinski, ii. 145a; Liszt, ii. 148a; Lyric, ii. 182b; Madrigal, ii. 187b, etc.; Magyar Mus., ii. 198b; Malbrough, ii. 200a; Marseillaise, La, ii. 219b; Mazurka, ii. 241b; Melody, ii. 250a; Mendelssohn, ii. 303a, etc.; Metre, ii. 316b; Monodia, ii. 354b; Mus. Antiqua, ii. 410b; Mus. Antiquarian Soc., ii. 416b; Mus. Lib., ii. 418a, etc.; Noël, ii. 463a; Opera, ii. 523b, etc.; Oratorio, ii. 540a; Partant pour la Syrie, ii. 653a; Part-song, ii. 658a, etc.; Phrasing, ii. 706b; Popular Ancient English Mus., iii. 16a; Randhartinger, iii. 74a; Reichardt (J. F.), iii. 100b; Reissmann, iii. 104a; Ricercare, iii. 126b; Ritornello, iii. 137a; Schools of Comp., iii. 282b, etc.; Schubert, iii. 364b, etc.; Schulz (J. A. P.), iii. 384a; Schumann, iii. 411b, etc.; Scotish Mus., iii. 439b, etc.; Serenade, iii. 467a; Singing, iii. 514b; Specimens, Crotch's, iii. 649a, etc.; Tallys, iv. 54b, note; Tan-ta-ra, iv. 57b; Tylman Susato, iv. 197b; Vaudeville, iv. 231a; Vereeniging, etc., iv. 255a; Villanella, iv. 264b; Volkslied, iv. 336b; Volksthümliches Lied, iv. 338a; Wacht am Rhein, iv. 342a; Walsingham, iv. 380b; Weber, iv. 421b, etc.; Weckerlin, iv. 431b; Yankee Doodle, iv. 493a; Zumsteeg, iv. 515a; Bicinium, iv. 546b; Bourgault-Ducoudray, iv. 557b; Burney, iv. 570b; Cantilena, iv. 578a; Carol, iv. 579b; Chorale, iv. 588b; Clé du Caveau, iv. 593b; Dance Rhythm, iv. 605b; Herz, mein Herz, iv. 672b; Hist. of Mus., iv. 677a; Life let us cherish, iv. 701a; Negro Mus., iv. 729b; Schön Minka, iv. 785a; Trois Couleurs, iv. 803b.
Songe d'une Nuit d'êté, iii. 632a; Thomas (Ambroise), iv. 104a.
Songs without Words, iii. 632b; Mendelssohn, ii. 269a.
Sonnambula, La, iii. 632b; Bellini, i. 212b.
Sonnleithner, Ignaz, iii. 632b; Beethoven, i. 183a, etc.; Leonore Prohaska, iii. 123a.
Sonnleithner, Jos., iii. 632b; Fidelio, i. 519a; Gesellschaft der Musikfreunde, i. 591a; Isaac, ii. 23b; Leonore, ii. 122b; Opera, ii. 520a.
Sonnleithner, Leopold Edler von, iii. 633a; Czerny, i. 426a; Schubert, iii. 325b, etc.
Sons of the Clergy, iii. 633b; Festivals, i. 516b, etc.
Sontag, H., iii. 634a; iv. 795a; Beethoven, i. 175a; Damoreau, i. 428b; Donizetti, i. 453b; Eckert, i. 482b; Fodor-Mainvielle, i. 538b; Laporte, ii. 91b; Lumley, ii. 174a; Mendelssohn, ii. 263a; Rellstab (H. F. L.), iii. 106b; Singing, iii. 508a; Smart (Sir G.), iii. 537b; Zeugheer, iv. 507a.
Soprano, iii. 635b; Canto, i. 306a; Singing, iii. 504b, etc.; Sistine Choir, iii. 521b; Voice, iv. 332b.
Sor, F.; Guitar, i. 640b.
Sordini, iii. 636a; Pedals, ii. 683b; Square Piano, iii. 683b; Steibelt, iii. 702b; Stein (J. A.), iii. 708a; U. C., iv. 200a; Verschiebung, iv. 256b.
Sorge; Resultant Tones, iii. 120b.
Soriano, Fr., iii. 638b; Magnificat, ii. 196b; Motet, ii. 375b; Musica Divina, ii. 412a; Palestrina, ii. 637b; Passion Music, ii. 665a; Recte et Retro, per, iii. 88a; Sistine Chapel, iv. 794a.
Soriano-Fuertes, M., iii. 638b; Saraband, iii. 226b; Seguidilla, iii. 457b; Song, iii. 599b; Hist. of Mus., iv. 676a.
Sors; Song, iii. 599b.
Sostinente Pianoforte, iii. 639a.
Soto, F., iii. 639b; Laudi Spirituali, ii. 105a; Schools of Comp., iii. 263a.
