Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/30

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A History of Art in Chaldæa and Assyria.

not raised and defended by dykes, the waters flow over it at more than one point. They spread through large breaches into a sort of hollow where they form wide marshes, such as those which stretch in these days from the country west of the ruins of Babylon almost to the Persian Gulf. In the parching heat of the summer months the mud blackens, cracks, and exhales miasmic vapours, so that a long acclimatization, like that of the Arabs, is necessary before one can live in the region. Some of these Arabs live in forests of reeds like those represented in the Assyrian bas-reliefs.[1]

Their huts of mud and rushes rise upon a low island in the marshes; and all communication with neighbouring tribes and with the town in which they sell the product of their rice-fields, is carried on by boats. The brakes are more impenetrable than the thickest underwood, but the natives have cut alleys through them, along which they impel their large flat-bottomed teradas with poles. [2]Sometimes a sudden rise of the river will raise the level of these generally stagnant waters by a yard or two, and during the night the huts and their inhabitants, men and animals together, will be sent adrift. Two or three villages have been destroyed in this fashion amid the complete indifference of the authorities. The tithe-farmer may be trusted to see that the survivors pay the taxes due from their less fortunate neighbours.

The masters of the country could, if they chose, do much to render the country more healthy, more fertile, more capable of supporting a numerous population. They might direct the course of the annual floods, and save their excess. When the land was managed by a proprietory possessing intelligence, energy, and foresight, it had, especially in minor details, a grace and picturesque beauty of its own. When every foot of land was carefully cultivated, when the two great streams were thoroughly kept in hand, their banks and those of the numerous canals intersecting the plains were overhung with palms. The eye fell with pleasure upon the tall trunks with their waving plumes, upon the bouquets of broad leaves with their centre of yellow dates; upon the cereals and other useful and ornamental plants growing under their gentle shade, and forming a carpet

  1. LAYARD, A Second Series of the Monuments of Nineveh, plate27 (London, oblong folio, 1853).
  2. LAYARD, Discoveries, pp. 551-556; LOFTUS, Chaldæa and Susiana, chap. x.