Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/308

286 A HISTORY OF ART IN CIIALD.-KA AND ASSYRIA. more skill was required for the proper distribution of a figure over the bricks by whose apposition it was to be created. No retouches were possible, because the bricks were painted before firing. The least negligence would be punished by the inter- ruption of the contours, or by their malformation through a failure of junction between a line upon one brick and its continuation on the next. There was but one way to prevent such mistakes, and that was by preparing in advance what we should call a cartoon. On this the proposed design would be traced over a network of squares representing the junctions of the bricks. The bricks were then shaped, modelled, and numbered ; each was painted accord- ing to the cartoon with its due proportion of ground or figure as the case might be, and marked with the same number as that on the corresponding square in the drawing. 1 The colour was laid separately on each brick ; this is proved by the existence on their edges of pigment that has overflowed from the face and been fired at the same time as the rest. Thus were manufactured those enamelled bricks upon which the modern visitor to the ruins of Babylon walks at every step. Broken, ground almost to powder as they are, they suffice to show how far the art of enamelling was pushed in those remote days, and how great an industry it must have been. We can have no doubt that colours fixed in the fire must have formed the chief element in the decoration of the buildings of Nebuchadnezzar, of that Babylon whose insolent prosperity so impressed the imagina- tion and provoked the anger of the Jewish prophets. It was to paintings of this kind that Ezekiel alluded when he reproved Jerusalem under the name of Aholiba for its infidelity and its adoption of foreign superstitions : " For when she saw men portrayed upon the wall, the images of the Chaldseans portrayed with vermilion, girded with girdles upon their loins, exceeding in dyed attire upon their heads, all of them princes to look to, after the manner of the Babylonians of Chaldaea, the land of their nativity." 2 1 PLACE, Ninire, vol. ii. p. 253. These marks were recognized upon many fragments found at Babylon by MM. Oppert and Thomas (OPPERT, Expedition sctentifigue, vol. i. pp. 143, 144). LOFTUS has transcribed and published a certain number of marks of the same kind which he found upon glazed bricks from the palace at Suza. These are sometimes cut in the brick with a point, sometimes painted with enamel like that on the face. (Travels and Researches, p. 398.) 2 EZEKIEL xxiii. 14, 15.