- 34 A HISTORY OF ART IN CHALD/KA AND ASSYRIA.
the Egyptians, who showed more taste and continuity in the management of their processes than their Eastern rivals. Nothing so absurd is to be found in the sculptures of the Nile valley as these hills and trees turned upside down, and we shall presently see that a like superiority is shown in the way figures are brought together in the bas-reliefs. In our second volume on Egyptian art we drew attention to some Theban sculptures in which a vague suspicion of the true laws of perspective seemed to be struggling to light. The attempt to apply them to the composition of certain groups was real, though timid. Nothing of the kind is to be found in Assyrian sculpture. The Mesopotamian artist never seems for a moment to have doubted the virtues of his own method, a method which consisted in placing the numerous figures, whose position in a space of more or less depth he wished to suggest, one above another on the field of his relief. He trusted, in fact, to the intelligence of the spectator, and took but little pains to help the latter in making sense of the images put before him.
