supply). His teacher, Kinoshita Junan, of whom he always speaks with the greatest reverence, tried to procure him an appointment with the Daimio of Kaga; but Hakuseki, being appealed to by a friend who had an aged mother in that province dependent on him for support, begged Junan to use his influence for him instead. Hakuseki had no favourable opportunity of advancement until 1693, when he was thirty-six years of age. On the recommendation of Junan, he was then engaged as Professor of Chinese by Iyenobu, subsequently (1709–1713) Shōgun, but at this time Daimio of Kōfu.
His relations with Iyenobu were throughout of the most cordial nature. He was always receiving from him presents of clothing and money. When Hakuseki lectured on the Chinese classics, Iyenobu listened with the greatest respect, refraining in summer from brushing off a mosquito, and in winter, when he had a cold in his head, turning away from the lecturer before wiping his nose with the paper of which he kept a supply in his sleeve. "You may imagine," says Hakuseki, addressing his posterity in the Ori-taku-shiba, "how quiet the rest of the audience were."
In 1701, by command of Iyenobu, Hakuseki composed his greatest work, the Hankampu, a history of the Daimios of Japan from 1600 to 1680. It is in thirty volumes and must have required immense research, yet it was written in a few months. Having received the order in the first month, he began the draft on the eleventh day of the seventh month. The manuscript was completed in the eleventh month, and a fair copy was made by Hakuseki himself and laid before Iyenobu on the nineteenth day of the second month of the following year. Hakuseki mentions these details with obvious pride in his
