as the Count was returning the disdained object to his pocket, he demanded with a threateningly increased pressure of the knife on the epigastrium, by way of reminder:
"Vostri anelli."
"One of the rings," went on the Count, "was given me many years ago by my wife; the other is the signet ring of my father. I said, 'No. That you shall not have!'"
Here the Count reproduced the gesture corresponding to that declaration by clapping one hand upon the other, and pressing both thus against his chest. It was touching in its resignation. "That you shall not have," he repeated, firmly, and closed his eyes, fully expecting—I don't know whether I am right in recording that such an unpleasant word had passed his lips—fully expecting to feel himself being—I really hesitate to say—being disembowelled by the push of the long, sharp blade resting murderously against the pit of his stomach—the very seat, in all human beings, of anguishing sensations.
Great waves of harmony went on flowing from the band.
Suddenly the Count felt the nightmarish pressure removed from the sensitive spot. He opened his eyes. He was alone. He had heard nothing. It is probable that "the young man" had departed, with light steps, some time before, but the sense of the horrid pressure had lingered even after the knife had gone. A feeling of weakness came over him. He had just time to stagger to the garden seat. He felt as though he had held his breath for a long time. He sat all in a heap, panting with the shock of the reaction.
The band was executing, with immense bravura, the complicated finale. It ended with a tremendous crash.
