abounds in the neighbourhood, and is very good building material, but of Beer stone, which is cold and grey. It has another defect: it is too low; but this was determined by the towers. When it was resolved to rebuild the Cathedral, it was decided to preserve the Norman towers, employing them as transepts. This settled the business. The church could not be made lofty; and on entering the western doors the visitor is at once disappointed. He feels a lack of breathing-space; the vaulting depresses him. The architectural details are not to be surpassed, but the whole effect is marred by the one mistake made at the outstart. One cannot wish that the towers had been removed, but one does regret that they were allowed to determine the height of nave and choir. The choir was begun by Bishop Quivil, in 1284, when also the great and incomparably beautiful windows were inserted in the towers. The nave was finished by Bishop Grandisson, in 1369, the year of his death.
Grandisson was a friend of the detestable John XXII., one of the Avignon Popes; and John appointed his intimate to Exeter in total disregard to the rights of the chapter to elect. He was consecrated at Avignon. Hitherto almost all the bishops had been local men.
Grandisson was a man very Romanly inclined, and appointed to a see that was redolent with Celtic reminiscences. He did not relish these. Whenever he had the chance of rededicating a church he endeavoured to substitute a patron from the Roman calendar in place of the British founder. He drew up a Legendarium, a book of Lessons on Saints'
