gods (xvii.), ascended to heaven with their faithful spouse (xviii.).
Here the framework of the great epic, which begins at the commencement of the first book, comes to an end. King Parīkshit having died of snake-bite, his son Janamejaya instituted a great sacrifice to the serpents. At that sacrifice the epic was recited by Vaiçampāyana, who had learnt it from Vyāsa. The latter, we are told, after arranging the four Vedas, composed the Mahābhārata, which treats of the excellence of the Pāṇḍus, the greatness of Kṛishṇa, and the wickedness of the sons of Dhṛitarāshṭra.
The supplementary book, the Harivaṃça, or "Family of Vishṇu," is concerned only with Kṛishṇa. It contains more than 16,000 çlokas, and is divided into three sections. The first of these describes the history of Kṛishṇa's ancestors down to the time of Vishṇu's incarnation in him; the second gives an account of Kṛishṇa's exploits; the third treats of the future corruptions of the Kali, or fourth age of the world.
The episodes of the Mahābhārata are numerous and often very extensive, constituting, as we have seen, about four-fifths of the whole poem. Many of them are interesting for various reasons, and some are distinguished by considerable poetic beauty. One of them, the story of Çakuntalā (occurring in Book I.), supplied Kālidāsa with the subject of his famous play. Episodes are specially plentiful in Book III., being related to while away the time of the exiled Pāṇḍus. Here is found the Matsyopākhyāna, or "Episode of the fish," being the story of the flood, narrated with more diffuseness than the simple story told in the Çatapatha Brāhmaṇa. The fish here declares itself to be Brahmā, Lord of creatures,
