The Secret Glory
was the justification that he put forward in defence of the notes on which the previous section is based.
"Of course," he would say, "the symbolism is inadequate; but that is the defect of speech of any kind when you have once ventured beyond the multiplication table and the jargon of the Stock Exchange. Inadequacy of expression is merely a minor part of the great tragedy of humanity. Only an ass thinks that he has succeeded in uttering the perfect content of his thought without either excess or defect."
"Then, again," he might go on, "the symbolism would very likely be misleading to a great many people; but what is one to do? I believe many good people find Turner mad and Dickens tiresome. And if the great sometimes fail, what hope is there for the little? We cannot all be—well—popular novelists of the day."
Of course, the notes in question were made many years after the event they commemorate; they were the man's translation of all the wonderful and inexpressible emotions of the boy; and, as Meyrick puts it, many "words" (or symbols) are used in them which were unknown to the lad of fifteen.
"Nevertheless," he said, "they are the best words that I can find."
As has been said, the Old Grange was a large,
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