The Russian School of Painting
an expert in perspective, who proved very useful as an educator of the young Russian artists; the decorators Perezinotti, the Grandizzi and the Barozzi brothers. Toward the end of Elizabeth's reign the following artists were added: Stefano Torelli, the rival of Boucher, a somewhat monotonous, but excellent portraitist; Count Rotari, and the French artists, LeLorrain, Lagrenée, Tocqué and Develis. A brilliant, spirited artistic life, such as was to be found in the most splendid European courts of the time, unfolded both in Petrograd and in Moscow during the sojourn of the court in the capitals. Queen Elizabeth Petrovna considered it nearly the main task of her reign to lend to Russian life that illusory lustre of an ever blissful Eden, by which the high life of the West was distinguished.
After the agony of Russian culture under Peter II and Anna loannovna, a reawakening was presently felt. The seeds which were sown by Peter the Great and which for fifteen years had lain in the soil, soon began to sprout. In all fields of endeavour men of original and truly Russian genius began to arise; and there came other men who proved able to appreciate the native talent, to set them working and to support them. Among these the first place belongs to I. I. Shuvalov, the noblest of Russians, who more than any one else was
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