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method of classic comedy. It consists in so arranging events that a scene is reproduced either between the same characters under fresh circumstances or between fresh characters under the same circumstances. Thus we have, repeated by lackeys in less dignified language, a scene already played by their masters. Now, imagine ideas expressed in suitable style and thus placed in the setting of their natural environment. If you think of some arrangement whereby they are transferred to fresh surroundings, while maintaining their mutual relations, or, in other words, if you can induce them to express themselves in an altogether different style and to transpose themselves into another key, you will have language itself playing a comedy—language itself made comic. There will be no need, moreover, actually to set before us both expressions of the same ideas, the transposed expression and the natural one. For we are acquainted with the natural one—the one which we should have chosen instinctively. So it will be enough if the effort of comic invention bears on the other, and on the other alone. No sooner is the second set before us than we spontaneously supply the