phenomena. We refer to the logic peculiar to the comic character and the comic group, a strange kind of logic, which, in some cases, may include a good deal of absurdity.
Théophile Gautier said that the comic in its extreme form was the logic of the absurd. More than one philosophy of laughter revolves round a like idea. Every comic effect, it is said, implies contradiction in some of its aspects. What makes us laugh is alleged to be the absurd realised in concrete shape, a "palpable absurdity";—or, again, an apparent absurdity, which we swallow for the moment only to rectify it immediately afterwards;—or, better still, something absurd from one point of view though capable of a natural explanation from another, etc. All these theories may contain some portion of the truth; but, in the first place, they apply only to certain rather obvious comic effects, and then, even where they do apply, they evidently take no account of the characteristic element of the laughable, that is, the particular kind of absurdity the comic contains when it does contain something absurd. Is an immediate proof of this desired? You have only to choose one of these definitions
