priety has any meaning for him. Now, consider whether some of Molière's plays would not produce the same sensation: for instance, Monsieur de Pourceaugnac, which, after beginning almost reasonably, develops into a sequence of all sorts of absurdities. Consider also the Bourgeois gentilhomme, where the different characters seem to allow themselves to be caught up in a very whirlwind of madness as the play proceeds. "If it is possible to find a man more completely mad, I will go and publish it in Rome." This sentence, which warns us that the play is over, rouses us from the increasingly extravagant dream into which, along with M. Jourdain, we have been sinking.
But, above all, there is a special madness that is peculiar to dreams. There are certain special contradictions so natural to the imagination of a dreamer, and so absurd to the reason of a man wide-awake, that it would be impossible to give a full and correct idea of their nature to anyone who had not experienced them. We allude to the strange fusion that a dream often effects between two persons who henceforth form only one and
