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contrast the derived image, that of a masquerade, with the original one, which, be it remembered, was that of a mechanical tampering with life. In "a nature that is mechanically tampered with" we possess a thoroughly comic theme, on which fancy will be able to play ever so many variations with the certainty of successfully provoking the heartiest hilarity. You may call to mind that amusing passage in Tartarin sur les Alpes, in which Bompard makes Tartarin—and therefore also the reader to some slight extent—accept the idea of a Switzerland choke-full of machinery like the basement of the Opéra, and run by a company which maintains a series of waterfalls, glaciers and artificial crevasses. The same theme reappears, though transposed in quite another key, in the Novel Notes of the English humorist, Jerome K. Jerome. An elderly Lady Bountiful, who does not want her deeds of charity to take up too much of her time, provides homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing, etc. There are comic phrases