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change in the position of the object mechanically brings about increasingly serious changes in the situation of the persons. Let us now turn to comedy. Many a droll scene, many a comedy even, may be referred to this simple type. Read the speech of Chicanneau in the Plaideurs: here we find lawsuits within lawsuits, and the mechanism works faster and faster—Racine produces in us this feeling of increasing acceleration by crowding his law terms ever closer together—until the lawsuit over a truss of hay costs the plaintiff the best part of his fortune. And again the same arrangement occurs in certain scenes of Don Quixote; for instance, in the inn scene, where, by an extraordinary concatenation of circumstances, the mule-driver strikes Sancho, who belabours Maritornes, upon whom the innkeeper falls, etc. Finally, let us pass to the light comedy of to-day. Need we call to mind all the forms in which this same combination appears? There is one that is employed rather frequently. For instance, a certain thing, say a letter, happens to be of supreme importance to a certain person and must be recovered at all costs. This thing, which