Byron and Dante, whose stern and solitary natures were cast in a very different mould from the social temper of Scott,
His next great poem was his "Marmion," transcending, in the judgment of many, all his other epics, and containing, in the judgment of all, passages of poetic fire which he never equalled, but which, nevertheless, was greeted on its entrance into the world by a critique, in the leading journal of the day, of the most caustic and unfriendly temper. The journal was the Edinburgh, to which he had been a frequent contributor, and the reviewer was his intimate friend, Jeffrey. The unkindest cut in the article was the imputation of a neglect of Scottish character and feeling. "There is scarcely one trait of true Scottish nationality or patriotism introduced into the whole poem; and Mr. Scott's only expression of admiration for the beautiful country to which he belongs is put, if we rightly remember, into the mouth of one of his Southern favourites." This of Walter Scott!
Scott was not slow, after this, in finding the political principles of the Edinburgh so repugnant to his own (and they certainly were as opposite as the poles), that he first dropped the journal, and next laboured with unwearied diligence to organize another, whose main purpose should be to counteract the heresies of the former. This was the origin of the London Quarterly, more imputable to Scott's exertions than to those of any, indeed all other persons. The result has been, doubtless, highly ser-
