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SIR WALTER SCOTT.
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While the poetical fame of Scott was thus at its zenith, a new star rose above the horizon, whose eccentric course and dazzling radiance completely bewildered the spectator. In 1812, "Childe Harold" appeared, and the attention seemed to be now called, for the first time, from the outward form of man and visible nature, to the secret depths of the soul, 'The darkest recesses of human passion were laid open, and the note of sorrow was prolonged in tones of agonized sensibility, the more touching as coming from one who was placed on those dazzling heights of rank and fashion which, to the vulgar eye at least, seem to lie in unclouded sunshine. Those of the present generation who have heard only the same key thrummed ad nauseam by the feeble imitators of his lordship, can form no idea of the effect produced when the chords were first swept by the master's fingers. It was found impossible for the ear, once attuned to strains of such compass and ravishing harmony, to return with the same relish to purer, it might be, but tamer melody; and the sweet voice of the Scottish minstrel lost much of its power to charm, let him charm never so wisely. While "Rokeby" was in preparation, bets were laid on the rival candidates by the wits of the day. 'The sale of this poem, though great, showed a sensible decline in the popularity of its author, 'This became still more evident on the publication of "The Lord of the Isles;" and Scott admitted the conviction with his characteristic spirit and good-nature, "'Well, James' (he said to his printer), 'I have giv-