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BIOGRAPHICAL AND CRITICAL MISCELLANIES.

lover is hastening to the place of assignation with his mistress. Louis the Fourteenth, after the performance, seeing his master of the hunts near him, M. Soyecour, a personage remarkably absent, and inordinately devoted to the pleasures of the chase, pointed him out to Molière as an original whom he had omitted to bring upon his canvass. The poet took the hint, and the following day produced an excellent scene, where this Nimrod is made to go through the technics of his art, in which he had himself, with great complaisance, instructed the mischievous satirist, who had drawn him into a conversation for that very purpose on the preceding evening,

This play was the origin of the comédie-ballet, afterward so popular in France. The residence at Vaux brought Molière more intimately in contact with the king and the court than he had before been; and from this time may be dated the particular encouragement which he ever after received from this prince, and which eventually enabled him to triumph over the malice of his enemies. A few days after this magnificent entertainment, Fouquet was thrown into prison, where he was suffered to languish the remainder of his days, "which," says the historian from whom we have gathered these details, "he terminated in sentiments of the most sincere piety:"* a termination by no means uncommon in France with that class of persons, of either sex, respectively, who have had the misfortune to survive their fortune or their beauty.

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  1. Histoire de la Vie, &c., de La Fontaine, par M, Valckenaer. Yaris, is24.