which he as vainly hopes to extricate himself. The coincidences are too exact to be considered wholly accidental.
If Molière in his preceding pieces had hit the follies and fashionable absurdities of the age, in the Tartuffe he flew at still higher game, the most odious of all vices, religious hypocrisy. The result showed that his shafts were not shot in the dark. The first three acts of the Tartuffe, the only ones then written, made their appearance at the memorable fêtes known under the name of "The Pleasures of the Enchanted Isle," given by Louis the Fourteenth at Versailles, in 1664, and of which the inquisitive reader may find a circumstantial narrative in the twenty-fifth chapter of Voltaire's history of that monarch, The only circumstance which can give them a permanent value with posterity is their having been the occasion of the earliest exhibition of this inimitable comedy. Louis the Fourteenth, who, notwithstanding the defects of his education, seems to have had a discriminating perception of literary beauty, was fully sensible of the merits of this production, The Tartuffes, however, who were present at the exhibition, deeply stung by the sarcasms of the poet, like the foul birds of night whose recesses have been suddenly invaded by a glare of light, raised a fearful cry against him, until Louis even, whose solicitude for the interests of the Church was nowise impaired by his own personal derelictions, complied with their importunities for imposing a prohibition on the public performance of the play.
