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BIOGRAPHICAL AND CRITICAL MISCELLANIES.

in one of her letters: "There are two little inconveniences which make it difficult for any one to undertake his funeral oration—his life and his death."

Father Gaillard, who at length consented to undertake it, did so on the condition that he should not be required to say anything of the character of the deceased. The remonstrance of Louis the Fourteenth having induced this person to remove his interdict, he privately instructed the curate of St. Eustace not to allow the usual service for the dead to be recited at the interment, On the day appointed for this ceremony, a number of the rabble assembled before the deceased poet's door, determined to oppose it. "They knew only," says Voltaire, "that Molière was a comedian, but did not know that he was a philosopher and a great man." They had, more probably, been collected together by the Tartuffes, his unforgiving enemies. The widow of the poet appeased these wretches by throwing money to them from the windows. In the evening, the body, escorted by a procession of about a hundred individuals, the friends and intimate acquaintances of the deceased poet, each of them bearing a flambeau in his hand, was quietly deposited in the cemetery of St. Joseph, without the ordinary chant, or service of any kind, It was not thus that Paris followed to the tomb the remains of her late distinguished comedian, Talma. Yet Talma was only a comedian, while Molière, in addition to this, had the merit of being the most eminent comic writer whom France had ever produced. The different degree of popular civilization which