Page:Brinkley - Japan - Volume 7.djvu/457

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CHISELLERS

mon. At first called Shigeyoshi. Third son of Shigetsugu. Yedo.

  • Hisayori. Nara. 1760. Yedo.
  • Hisayori. Hamano. 1800. Hanai. Commonly called Juzui. Yedo.
  • Hiyobu. Hōgen. Nomura. 1790. Posthumous name, Minamoto Masayori. Artistically known as Yūsen or Hiyobu-jo, and called in literary circles Shjoishi-gekkaan-koō. Eldest son of Masahide (Nomura). He received the honorary title of Hōgen in recognition of his artistic skill.
  • Hiyōji. Kawakami. 1770. Toyama (Yetchiu).
  • Hōgiyokusai. Vide Koretsune.
  • Hōjō. Vide Mitsuaki (Goto).
  • Hōjō. Goto. 1670. Mitsukata. Kyoto.
  • Hōju. Vide Tomihisa.
  • Hokiusai. Vide Naofusa.
  • Honjo. Vide Narikado.
  • Horiaki. 19th cent. Metal-worker of Yedo.
  • Horiuken. Vide Takaru. Yeiji.
  • Hosuiken. Tsuchiya. 18th and 19th cent. Metal-worker of Kaga.
  • Hozanken. Vide Motonori (Yasuyama).
  • Huzui. Vide Yasuyori and Toyoyori.
  • Ichibei. Nara. 1730. Pupil of the celebrated Yasuchika. He was known as “Miidera Ichibei,” on account of the beauty of the landscapes of the temple of Miidera carved on his fuchi and kashira.
  • Ichiga. Yamazaki. 1770. Niziyemon. There were five experts called Ichiga. The first flourished in 1670, and was a pupil of Goto Shujō; the fifth, at the close of the 18th cent. All were fine carvers. Kyoto.
  • Ichigenshi. Vide Harutoshi.
  • Ichigyosai. Vide Atsuoki.
  • Ichijiusai. Vide Mitsutatsu.
  • Ichijō. Goto. One of the greatest experts of the 19th cent. Born, 1791; died, 1876. Taught in Kyoto, but worked in Tokyo. Received the title of Hōkyo in recognition of his skill.
  • Ichijū. Takeshima. 1600. Tozayemon. A pupil of Goto Tsūjō. A splendid artist, standing in the highest rank. Yedo.
  • Ichimudo. Vide Terutoki. (Omori.)
  • Ichirobei. Yamada. 1700. An expert of Nagasaki who made guards of the Kanto-tsuba style; namely, decorated with Chinese figures and landscapes.
  • Ichiroyemon. Tanaka. 1700. A skilled artist of Saisuma.
  • Ichiruisai. Vide Tomoyoshi. (Kikugawa.)
  • Ichisō. Kawada. 1720. A Satsuma expert.
  • Ichiunsai. Vide Masayoshi.
  • Ichiyeian. Vide Korestune.
  • Ichiyemon. 1610. A pupil of Goto Yetsujō. A skilled expert. Kaga.
  • Ichiyodo. Vide Mitsuyori.
  • Ichiyoken. Vide Hiroyori.
  • Ichizayemon. Fukui. 1660. A pupil of Goto Yetsujō. A skilled artist. Kaga.
  • Ichizo. Vide Nariyuki and Narisuke.
  • Ihei. Inouye. 1750. A pupil of Inouye Shigeyasu.
  • Ikedo. 19th cent. (d. 1897.) A great metal-chiseller of Tokyo. One of the last carvers of sword-furniture.
  • Ikken. Present day. A skilled metal-chiseller of Tokyo.
  • Ikkin. Funada. 1840. Shosuke. An artist of skill who studied for some time under Goto Ichijō and finally worked in Kyoto.
  • Inaba-no-suke. Yoshioka. A title borne by four celebrated artists of the old Yoshioka family; namely, Shigehiro (1600), Yasutsugu (1610), Kiyotsugu (1630), and Terutsugu (1680), and by those of lesser note in modern times. The mark “Inaba-no-suke” was not permitted to be used whenever a member of the noble family of Inaba (distinct from the Yoshioka family) happened to hold the position of Councillor of state (Goroju).
  • Inagawa. Family name. Vide Naokatsu and Yoshikatsu.
  • Injō. Goto. 1620. Mitsutomi. Kyoto.
  • Iranken. Shōami. 1570. An expert of Owari.
  • Ishin. Shōami. 1800. An expert of Matsuyama in Iyo.
  • Issai. Vide Tokiakira.
  • Isshiken. Vide Okinari.
  • Issho. Nakagawa. 1860. A skilled artist of Yedo.
  • Isshunan. Vide Masyori.
  • Itao. Shinjiro. Present day. A highly skilled metal-chiseller of Kagawa (in Kishiu). He manufactures iron dragons, eagles, crabs, etc. with universal joints, as skilfully as did the

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