In addition to these things Mr Layard brought home a large number of alabaster slabs sculptured with battle scenes, lion hunts, and the representation of sacred trees to which winged figures are making mysterious offerings. It was the custom of these Assyrian kings to have the halls and chambers of their palaces lined with plain alabaster slabs, and after each new victory to have the story engraved in a separate room, so that in one chamber we get an account of a battle in Babylonia, in another the story of the siege of Lachish near the Philistine country, and so on.
But the reader—who has no doubt visited the British Museum and looked at all these things—may perhaps ask why we repeat the familiar story. It is in order to give completeness to the picture, and also to induce young visitors to the Museum to look into things as well as look at them. Where did the antiquities come from? How have the inscriptions been deciphered? What do they say? Although many of them were brought to the Museum years ago, the writing was not immediately read; the process of decipherment is still going on, and hardly a year passes without startling discoveries being made in the Museum itself. In the year 1872 Mr George Smith there, taking up a clay tablet that had been neglected, deciphered the inscription, and found it to be the Chaldean story of the Flood. In 1873, going out to Assyria for the purpose, he actually discovered the missing portion of the tablet. Such facts are intensely interesting to the student of the Scriptures, and they attract us to give a portion of our attention to the legends and the literature of the Assyrians and the Chaldeans.
Nineveh, we read, was a city of three days' journey. It actually extended 20 miles in length by 10 miles in breadth, and was surrounded by a great wall upon which three chariots could be driven abreast.[1] Within this cir-
- ↑ It is right to say that some writers are not convinced that Nineveh was 60 miles round. They regard Nimroud, Kouyunjik, &c., as so many separate cities.
