to the Greeks, who erected on the top of it a temple to Zeus; and it had probably been sacred to Ormazd, the supreme deity of the Persians. High up on the face of this rock, 300 feet above the plain, there are two tablets, one of them containing sculptured figures and nearly a thousand lines of cuneiform character. The sculptured portion of the rock represents a line of nine persons united by a cord tied round their necks, and having their hands bound behind their backs, who are approaching another of more majestic stature, who, holding up his right hand in token of authority, treads on a prostrate body. His countenance expresses the idea of a great king or conqueror, and behind the king stand two guards with long spears in their hands.
The reign of Darius was disturbed by many revolts, and the insurrectionary attempts of many impostors and pretenders. It is these impostors who are represented as prisoners in the sculpture, and over the head of each figure we find his name and description. The first one, the prostrate figure, is "Gomates, the Magian, an impostor," who said, "I am Bartius, the son of Cyrus; I am the King," and so on. The inscription is by far the largest and most important record which has been preserved of the greatness of Darius, and of the Persian state and system. The lines over the monarch himself would read in English as follows:—
"I am Darius the king, the great king, the king of kings, the king of Persia, the king of the (dependent) provinces, the son of Hystaspes, the grandson of Arsames, the Achæmenian," &c.
It will be noticed here how the word king is repeated; as the inscription proceeds the name Darius is repeated also. A German scholar, Professor Grotefend, had observed that such inscriptions generally begin with three or four words, one of which varies while the others do
