responsible—a thing not to be named with the joyous Renaissance facade of Francis.
When Miss Randolph could be torn away, we went inside, and throwing off self-consciousness in the good cause, I flung myself into the drama of the Guise murder. Little did I know what I was letting myself in for. My one desire was to interest Miss Randolph, and (incidentally, perhaps) show her what a clever chap she had got for a chaffeur—though he wasn't a gentleman, and Talleyrand was.
I pointed from a window to the spot where stands the house from which the Duc de Guise was decoyed from the arms of his mistress; showed where he stood impatiently leaning against the tall mantelpiece, waiting his audience with Henri the Third; pointed to the threshold of the Vieux Cabinet where he was stabbed in the back as he lifted the arras; told how he ran, crying "a moi!" and where he fell at last to die, bleeding from more than forty wounds, given by the Forty Gentlemen of the Plot; showed the little oratory in which, while the murderous work went on, two monks gabbled prayers for its successful issue.
I got quite interested in my own harangue, inspired by those stars Miss Randolph has for eyes, and didn't notice that my audience had increased, until, at this point, I suddenly heard a shocked echo of Aunt Mary's "Oh!" of horror, murmured in a strange voice, close to my shoulder. Then I looked round and saw a man and a girl, who were evidently hanging on my words.
The man was the type one sees on advertisements
