bition in common with those of his competitors.' How many of them are alive now to witness the goal he has reached? Not one, probably. He said then, forty-five years ago, that he had 'shaped out an empire for himself, which their praise cannot widen, and which their censure is unable to destroy.'
Bold words for a young man invading the territories of imaginative literature; but we may safely assume that Mr. Bulwer felt his power, though his first production, 'Falkland,' shows very little more talent than went to novel-making in that time of Albums and Books of Beauty, nearly half a century ago.
His next work, however, showed what he was made of to peculiar advantage. He called it 'Mortimer, or the Adventures of a Gentleman.' His publishers did not like that title; but as 'Pelham' the book went down, and the author at once found himself famous.
'Pelham' was published in 1828. After it came 'The Disowned,' a novel of very doubtful merit, that owed its existence to the author's study of metaphysics. 'Out of that study,' he says, 'grew the character of Algernon Mordaunt.' Then came, in quick succession, 'Devereux,' 'Paul Clifford,' 'Eugene Aram,' a drama on that subject, 'Last Days of Pompeii,' 'The Crisis,' 'Rienzi;' his dramas, 'The Duchess of La Valliere,' 'The Lady of Lyons,' 'Richelieu,' and 'Money.' 'Godolphin,' a story of fashionable life, 'The Pilgrims of the Rhine,' and a political work entitled 'England and the English,' all appeared in 1833; and at this time the author of 'Pelham' became editor of the 'New Monthly Magazine,' a post he occupied for a year and a half. From his contributions in that time two volumes of essays, called 'The Student,' were afterwards compiled.
'Ernest Maltravers' appeared in 1837; 'The Sea Captain, or the Birthright,' the original from which the 'Rightful Heir' was reproduced a year or two back, made its appearance in 1839, and was hardly to be called a success; but 'Money,' first produced in 1840, was most successful, and has, with 'Richelieu' and 'The Lady of Lyons,' held the boards ever since. From 1841 to the end of 1843, the world received from his most prolific pen, 'Night and Morning,' 'Zanoni,' and 'The Last of the Barons.' Besides this immense labour as a novelist, Mr. Bulwer had been busily occupied by
