choir, 130; Chichester, 133 (cut);—Lincoln, choir, 139; Malmesbury Abbey, 125;—the ch. of St. Mary, New Shoreham, 141; Salisbury, nave, 149;—Wells, 150 (cut).
- Of the cath. of Limburg, 173, 174 (cut).
- Of the ch. of S. Martino in Lucca, 189.
- In Spanish pointed buildings of the early 13th cent., 195.
Triforium string. See String-courses.
Tudela, cathedral, 195.
Vaults, difficulties of construction over oblong compartments, 16 (cut); effect of the introduction of the pointed arch upon, 16, 17 (cut); always both stilted and domed in Gothic, 17; general character of, in Gothic buildings, 18; twisted surfaces of, 39; obliquity and irregularity of surface, 52; of the first half of 13th cent., 67; improved by replacing the round longitudinal arch by a pointed one, 68; the thrusts concentrated on the piers by stilting the longitudinal ribs, 69; apsidal aisles, 98; first step toward fan vaulting, 144; polygonal chapter-houses, 168; generally absent in the smaller village churches in England, 169.
- Barrel characteristic of the style of Auvergne, 195; in the smaller Spanish buildings of the early 13th cent., 195;—demi-barrel, 12;—domed, 52;—quadripartite, contemporaneous with sexpartite, 51; general use in the I3th cent., 68; in square compartments, characteristic of the Burgundian style, 195;—sexpartite, 38; various modes of support, 40-60; unusual in the 13th cent., 68; peculiarity in the cath. of Limburg, 173, 174 (cut).
- Of the cath. of Amiens, apse, 96, 97 (cut);—Beauvais, 68, choir, 76;—Bourges, 59, 68, apse, 95;—the Abbaye-aux-Dames at Caen, 13, 14 (cut), 17, 51;—the Abbaye-aux-Hommes, at Caen, 12, 13 (cut), 39;—the cath. of Chartres, nave, 73 (cut), apse, 95, 96 (cut);—Laon, 58; the ch. of Mantes, 57;—of Morienval, apsidal aisle,33-35 (cuts);—the cath. of Noyon, choir and transept, 38, choir, 49, nave, 50, apse, 93 (cut);—the ch. of Ouestreham, 51;—the cath. of Paris, choir, 38, apse, 94 (cut), changes and repairs in the I3th cent., 86, apsidal aisles, 100 (cut);—the ch. of St. Denis, apsidal and choir aisles, 36-37 (cut), nave and choir, 76;—the priory of St. Gabriel, 51; the cath. of Senlis, east of the transept, 38.
- Of Canterbury cath., choir, 129-131 (cut);—Chichester, 131;—Durham, 14, 17;—Fountains Abbey, 127, 128 (cut); Kirkstall Abbey, aisles, 127;—Lichfield cath., nave, 156; Lincoln, choir, 135-140 (cuts), nave, 143, aisles, 146, presbytery, 154;—Malmesbury Abbey, aisles, 124 (cut); nave, 126;—the ch. of St. Mary, New Shoreham, 141;—Peterborough cath., aisles, 143;—Salisbury, nave, 147 (cut);—Wells, 150.
- Of early German buildings, 171;—of the cath. of Bamberg, 170, 171 (cut);—the Breslau Kreuzkirche, 175;—Cologne cath., 176;—Freiburg, 174; Magdeburg, 172;—Speyer, 171.
- Of the ch. of St. Francis of Assisi, 182;—the cath. of Florence, 187; the ch. of Sta. Croce, apse, 186; the ch. of Sta. Maria Novella, 183 (cut); the basilica of San Miniato, 41;—the ch. of Sta. Anastasia in Verona, 189.
- Roman, 10.
- In Spanish pointed buildings of the early I3th cent., 194.
Vaulting shafts, employed as a decorative feature only, 141, 144; coupled, in Spanish pointed buildings, 195, in Burgundy, 195;—of the cath. of Amiens, 75;—Bourges, 59;—the Abbaye-aux-Dames, at Caen, 153 (cut);—the cath. of Chartres, nave, 74;—the ch. of Notre-Dame at Dijon, 60;—the cath. of Laon, 58;—the ch. of Mantes, 58;—the cath. of Noyon, 49 (cut);—Paris, 53, 55-57 (cuts);—Reims, 74;—the ch. of St. Denis, 76;—of St. Leu d'Esserent, nave, 72;—the cath. of Senlis,—43; Sens, 60, 130.
- Of Byland Abbey, 141;—Canterbury, cath., choir, 129-130 (cut), at transept crossing, 138 (cut);—Chichester, 131, 132 (cut);—Lichfield, nave, 157;—Lincoln, choir, 136, at transept crossing, 138 (cut), nave, 144, presbytery, 154;—Malmesbury Abbey, 125, 126 (cut);—the ch. of St. Mary, New Shoreham, 141;—Ripon, choir, 142;—Salisbury, nave, 148;—Wells, 150;—Whitby Abbey, 141.
- Of the cath. of Limburg, 173, 174 (cut);—Speyer, 171 (cut).
- Of the ch. of St. Francis of Assissi, 182.
